Caribbean Memories of Derek Walcott by Alvina Ruprecht, Travis Weekes, Rawle Gibbons, Tony Hall, MacDonald Dixon, Adrian Augier

“…Since his death, on March 7, 2017, much has been written about Nobel Prize winner Derek Walcott the poet, but very few tributes have focused specifically on his theatre, while specialized journals have almost ignored publications by critics from the Caribbean, his region of origin. …”
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AS IMAGENS-MUNDO EM DEREK WALCOTT by Maria Angela Cappucci

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Creative Ecologies: Derek Walcott’s Postcolonial Ecopoetics by Emma Trott

“…This essay explores the centrality of Derek Walcott’s poetics of nature to his creative imagination. …”
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Derek Walcott discusses his painting and poetry by Donald Friedman

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Creative Ecologies: Derek Walcott’s Postcolonial Ecopoetics by Emma Trott

“…This essay explores the centrality of Derek Walcott’s poetics of nature to his creative imagination. …”
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What is behind Myth and History in Derek Walcott’s Omeros? by Raj Kumar Baral, Heena Shrestha

“…Derek Walcott’s epic Omeros focuses on its representation of myth and history; narrates the story of St. …”
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Derek Walcott’s Another Life: from Death to Celebration by Dominique DELMAIRE

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ROOTING IDENTITIES: DEREK WALCOTT’S CONNECTION(S) WITH THE CARIBBEAN ENVIRONMENT by Mattia Mantellato

“…This article aims to demonstrate how the notions of ‘identity representation’ and ‘ecological narrative’ complement each other in defining both the characters and stories that Caribbean writer Derek Walcott sketches in his well-known epic Omeros. …”
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La poétique du paysage chez Derek Walcott by Dominique Aurélia

“…This paper proposes to explore some specific aspects of imagery in Derek Walcott’s poetry, with special reference to the notions of landscape and memory. …”
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Defying Absolutes and Essentialism in Derek Walcott’s Omeros: An Epic of Traces by Mónica Fernández Jiménez

“… Using poststructuralist and postmodern theory, this article analyses the postcolonial epic poem Omeros (1990) by the author Derek Walcott. In using such a genre, Derek Walcott opens up a discussion on the literary canon and the role of epics. …”
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ICONOGRAFIA E HISTÓRIA NA LITERATURA DE DEREK WALCOTT by Maria Angela Cappucci

Subjects: “…Derek Walcott…”
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Breadfruit in the Wake: Imagining Vegetal Mutiny in Derek Walcott's "The Bounty" by Hannah R Cole

“…I examine Derek Walcott’s portrayal of the journey of the breadfruit in “The Bounty,” which intertwines the history of the species’ transplantation with an elegy for the poet’s own mother. …”
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Achille and the unhomely pull of atavistic homeland in derek walcott's Omeros by Zargarzadeh, H.

“…Pan-Africanists and proponents of Négritude associate home with Africa. However, Derek Walcott detours from this essentialist belief. …”

Derek Walcott's early writing (1948-1962): a critical reading by Herbertson, G

“…<p>This thesis offers a critical reading of the poetry and drama Derek Walcott composed between 1948 and 1962. It contends that Walcott’s positions on imitation, hybridity and mimicry were influenced by his reading at school and changed little as he aged, but that the narrative currently employed to conceptualise his artistic trajectory has distorted this continuity. …”

A poetics of parallax: the significant geographies of Derek Walcott’s Omeros (1990) by Hankinson, J

“…Tracing the interplay between different scales of language, narrative, and geography in Omeros (1990), this article analyses the activity of parallax within Derek Walcott’s aesthetic, and its broader significance for the relationship between postcolonial literature and space. …”

Review: Narrative Rewritings and Artistic Praxis in Derek Walcott’s Works: Caribbean Decolonisations by Maria Cristina Fumagalli

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La querella por la memoria en Édouard Glisant y Derek Walcott by Claudia Caisso

“…Se relaciona la descripción de los principales factores expuestos en la afirmación del Caribe como frontera y diálogo intercultural en “La querella con la Historia” (2005) de Glissant con la operación de defensa de la memoria por la literatura desplegada por Derek Walcott en “La musa de la Historia” (2000). Puesto que más allá de las diferencias que existen entre ambos escritores, comparten valiosos vasos comunicantes a propósito del destino que le asignaron a la articulación de la imaginación y el deseo de “anamnesis” en el cuestionamiento del discurso historiográfico europeo, reconocible en la confrontación de los mencionados ensayos. …”
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Édouard Glissant et Derek Walcott : une vision fragmentée de l’histoire by Aminata Keita

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Reprise homérique et commentaire décalé dans Omeros et The Odyssey de Derek Walcott by Kerry-Jane Wallart

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Another Life (1972), de Derek Walcott, ou les lettres du mal-voyant by Kerry-Jane Wallart

“…The purpose of this article is to show to what extent painting is not described by Derek Walcott as a failure but rather as the means of a poetical incarnation through a gesture of diversion from the visible universe. …”
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