« Get him Grandpa » : féminité et blanchité dans Get Out de Jordan Peele (2017) by Hélène Charlery

“…This paper examines the way Get Out (2017), Jordan Peele’s directorial debut, considers white femininity through the Rose and Missy Armitage characters. …”
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The working class in Schrader’s Blue Collar (1978) by Wheeler, Mark

“…This chapter examines Paul Schrader’s directorial debut Blue Collar (1978) with reference to its entrapment of three Detroit autoworkers. …”
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Rozmowa o współczesnej tożsamości polskich Żydów by Barbara Weżgowiec

“… DIALOG ABOUT THE MODERN IDENTITY OF POLISH JEWS: AROUND THE POSTMEMORY NARRATIONS IN DOCUMENTARY BY MIKOŁAJ GRYNBERG THE PROOF OF IDENTITY The 2021 documentary The Proof of Identity marked the directorial debut of Mikołaj Grynberg. In this film, the director attempts to depict the unique experience of being a Polish Jew, while also exploring the intricate nature of an essentially dual (Polish-Jewish or Jewish-Polish) identity. …”
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„Burzliwy i krańcowy protest przeciwko naturalizmowi Reduty”: Debiut reżyserski Edmunda Wiercińskiego by Anna Chojnacka

“…It was Edmund Wierciński’s directorial debut. The artist had been a member of the Reduta company, ran by Osterwa and Limanowski, since 1921. …”
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Of Rajuk and demasculinization. Examining class inequality and gender representations in Hussain Haniff’s Hang Jebat (1961) by Muhamad Farid Abdul Rahman, Mahyuddin Ahmad, Lee, Adrian Yuen Beng

“…This can be seen in his first directorial debut Hang Jebat (1961) that tells the story of how the warrior Hang Jebat stood up for his comrade Hang Tuah who was unjustly sent to the gallows. …”
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从《吃风》看新加坡华人的国族认同和华语语系中的边缘族群 = “Eating air” : an analysis on the national identity and marginalised minority amongst Singapore Chinese... by 胡莉珊 Oh, Lee Shan

“…“Eating Air”, is the directorial debut of local director, Kelvin Tong and film editor, Jasmine Ng. …”
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