DJANGO UNCHAINED QUENTINA TARANTINO by Patryk Miernik

Get full text

Note sulla violenza in Django Unchained by Stefano Rosso

Subjects: “…django unchained…”
Get full text

Myth in Black: Revisionismo ed epica in Django Unchained by Marta Cafiso

Subjects: Get full text

Magical Hero and Systemic Racism: An Investigation of Quentin Tarantino’s Django Unchained (2012) by Salman Hamid Khan

Subjects: “…Django Unchained, Quentin Tarantino, CRT, cultural studies, African-Americans, race…”
Get full text

Un western al secondo grado: la forma parodica in Django Unchained by Stefano Bosco

Subjects: “…django unchained…”
Get full text

Magical Hero and Systemic Racism: An Investigation of Quentin Tarantino’s Django Unchained (2012) by Salman Hamid Khan, Irfan Ali Shah, Dr.

Subjects: “…django unchained…”
Get full text

KRITERIA DALAM PENERJEMAHAN SUBTITLE FILM DJANGO UNCHAINED DARI BAHASA INGGRIS KE BAHASA INDONESIA by Nadiatul Amri

“…<p>Tujuan dari penelitian ini adalah untuk mendeskripsikan tentang penerjemahan <em>subtitle</em> film Django Unchained dari bahasa Inggris ke bahasa Indonesia. …”
Get full text

Depiction of slaves in Django Unchained (2012) in the mould of spaghetti Western and blaxploitation genres / Muhammad Ikhwan Radzali by Radzali, Muhammad Ikhwan

“…This thesis analyses the depiction of African-American slaves in writer / director Quentin Tarantino’s Django Unchained (2012), a Western film known for its portrayal of the African-American slave trade era in the mould of Spaghetti Western and Blaxploitation film genres. …”
Get full text

Prefazione by Elisa Bordin, Stefano Bosco

Subjects: “…django unchained…”
Get full text

The New Spaghetti Western: the Southern by Arianna Mancini

Subjects: “…django unchained…”
Get full text

Mumbo Django: Afroamericanità e western by Elisa Bordin

Subjects: “…django unchained…”
Get full text

Django, Stephen, e gli stereotipi sugli afroamericani by Sara Corrizzato

Subjects: “…django unchained…”
Get full text

Supremasi Kulit Putih di Balik Kemenangan Orang Kulit Hitam dalam Film Django Unchained (2012): Sebuah Kritik terhadap Ideologi Post-Racial di Amerika by Rendy Septiadi R

Subjects: Get full text

Rescue US: Birth, Django, and the Violence of Racial Redemption by Joseph Winters

Subjects: Get full text

Racial Violence at the Crossroads of West and South in Rosewood (John Singleton, 1997) by Claire Dutriaux

“…Almost twenty years before Quentin Tarantino’s Django Unchained, African American film director John Singleton’s Rosewood (1997) told the violent racial history of the South during the Jim Crow era and the real suffering they experienced at the hands of Whites, via a combination of a western-style narrative with a black cowboy hero and a historical drama. …”
Get full text

From Uncle Tom to Nat Turner: An Overview of Slavery in American Film, 1903-2016 by Melvyn Stokes

“…This seemed to change in the second decade of the twenty-first century when three films—Lincoln (2012), Django Unchained (2012), and 12 Years a Slave (2013)—dealt critically with slavery while also attracting a mass audience. …”
Get full text

Da Gordon a Django. Figurazioni dell'eroismo e memoria della schiavitù negli Stati Uniti by Anna Scacchi

“…Even before its release in 2012 Quentin Tarantino’s Django Unchained was the object of hot transatlantic discussions, mostly criticizing the film as one more item to add to the long list of “white savior narratives” produced by Hollywood and questioning the right of white authors to appropriate black stories. …”
Get full text

A ANTÍTESE DA FRONTEIRA: O WESTERN DE QUENTIN TARANTINO E O SECCIONALISMO by Rafael Gonçalves Borges

“…Este texto se propõe a analisar de que modo os dois últimos filmes de Tarantino, Django Unchained e The Hateful Eight, podem ser lidos como uma reinterpretação e questionamento da tese da fronteira de Frederick Jackson Turner, reposicionando o papel dos seccionalismos na elaboração da narrativa nacional.…”
Get full text

The segregated gun as an indicator of racism and representations in film by Julie M. Aultman, Elizabeth Piatt, Jason Piatt

“…The symbolic meaning of guns in the hands of Blacks as violent, exceptional or some other stereotypical character trope is illustrated using three selected films including: Django Unchained, John Q., and Proud Mary. This paper is divided into three acts: Act I: The gun as symbol of structural racism in film; Act II: Stereotypical characters and their guns; Act III: Desegregation of the gun in film. …”
Get full text