The Irish Catholic clergy, Stuart sovereignty and the 1650 appeal to the Duke of Lorraine by David FINNEGAN

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« Soit de bon cœur, soit par grimace » : l’élection de Dom Calmet à l’abbatiat de Senones(9 juillet 1728) by Julien Reny

“…Between the role of the Duke of Lorraine, who wished to influence the election, and the tensions within the Congregation of Saint-Vanne, Dom Calmet was nevertheless elected unanimously. …”
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Publier la poésie : vers manuscrits copiés, lus et compilés comme stratégies sociales pour le littérateur des Lumières by Margaux Prugnier

“…Most of his poems remained handwritten for more than two centuries, with the notable exception of a dedication to the last duke of Lorraine. This does not mean these works were to remain within an intimate circle, since they have been made public in many ways. …”
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En miroir et sous le masque : Gaston d’Orléans et l’Antiquité dans le spectacle de cour by Vincent Dorothée

“…The article therefore goes on to show how Charles IV used Antiquity as a mirror to celebrate the triumphs of a prince and ally whom he already considered to be an ‘almost king’, through the curial celebrations organized by the Duke of Lorraine when the prince took refuge in Nancy in 1629 and 1631, and then in Brussels in 1632.…”
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La parábola del príncipe de Vaudémont entre austracismos y provechos personales by Cinzia Cremonini

“…Born in Brussels on 17 April 1649 (or 1642), Charles Henry of Lorraine, prince of Vaudemont was the son of Charles IV, duke of Lorraine (1604-75) and his second wife, Beatrice de Cusance. …”
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Le Congrès des américanistes de Nancy en 1875 : entre succès et désillusions by Étienne Logie, Pascal Riviale

“…The first international congress of Americanists opened on July 19th 1875 and was held in the prestigious palace of the Dukes of Lorraine, Nancy. Its instigators, the Société d’Ethnographie and the Société Américaine de France worked in close collaboration with a local board of organization, remarkably led by two prominent notables of Nancy : the Baron Prosper Guerrier de Dumast and Lucien Adam. …”
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Seeing is Believing: The Ducal House of Lorraine and Visual Displays in the Projection of Royal Status by Jonathan Wayne Spangler

“…The central argument posits that in order to be treated as fully royal (and therefore with inherent rights to exist independently, as full members of the society of princes), princes like the dukes of Lorraine had to appear as royal in their visual representation. …”
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