E M Forster as critic / by 359307 Advani, Rukun

E. M. Forster: An Enabling Modesty by John LUCAS

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E. M. Forster’s Last Love by Peter J Conradi

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E. M. Forster: A Bibliography of Critical Studies by Krzysztof Fordoński

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“Inside His Idiom:” E. M. Forster’s T. S. Eliot by Jason FINCH

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E. M. Forster: A traditionalist or a modernist? by Berrin Karayazıcı

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Veiled Visions: Ekphrastic Manipulation by E. M. Forster by Mykyta Isagulov

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Magical Realism in E. M. Forster’s A Passage to India by Nawal Hamdan Mahmoud

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E. M. Forster – Shaping the Space of Culture. Conference Report by Anna Kwiatkowska

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Review: Tsung-Han Tsai, 2021. E. M. Forster and Music by Parker T. Gordon

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Emilio Salgari and E. M. Forster: Two Indias, Multiple Imaginaries by Paola Irene Galli Mastrodonato

“…My comparative analysis of two major texts dealing with pre-Independence India produced by two European writers at the turn of the past century – I misteri della jungla nera (The Mysteries of the Black Jungle, 1895) by Emilio Salgari and A Passage to India (1924) by E. M. Forster – stems from the basic assumption stated in Lisa Lowe’s 1991 seminal study on Forster’s novel, namely the “ruling British perspective that traditionally considered India a colorful backdrop to the central British drama, and Indians as peripheral objects to be colonized and scrutinized rather than as possessing a point of view themselves.” …”
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“The Hotel Case”Queering the Hotel in E. M. Forster’s “Arthur Snatchfold” by Athanasios Dimakis

“…E. M. Forster’s hotel literature has acquired increasing momentum within contemporary critical discourses on hotels in modernist mobilities, spatio-temporality, and geographies (Thacker 2003, Short 2019). …”
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Forster on the Air: TV and Radio Adaptations of the Works of E. M. Forster by Krzysztof Fordoński

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Modernist irony and racial-cultural difference: the case of E. M. Forster by Khalid Hadeed

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“Where Is Your Home”? Spaces of Homoerotic Desire in E. M. Forster’s Fiction by Dominika Kotuła

“… The text analyses the spaces of homosexual desire described in E. M. Forster’s novel Maurice as well as in two of his short stories, “The Other Boat” and “Dr Woolacott.” …”
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The 'Temple' of E. M. Forster's A Passage to India: towards ultimate unity by Igor Grbić

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Pukka English and the Language of the Other in E. M. Forster’s A Passage to India by Catherine Lanone

“…A Passage to India differs from Kipling’s luscious use of Indian words or Conrad’s creativity; while Kipling’s Kim returns to the vernacular as a mother-tongue and Conrad uses linguistic distortion as a site of ethical ambiguity, Forster strays from the systematic inclusion of alien signifiers with his text. E. M. Forster opts instead for a deconstruction of the English attempt to appropriate Indian signifiers as a token language positing the superiority of the Raj. …”
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1940: E. M. Forster e a invasão da Inglaterra pela Alemanha by Wendell Ramos Maia

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PASSAGES TO INDIA: SANTHA RAMA RAU’S ADAPTATION OF E. M. FORSTER’S NOVEL FOR THE STAGE by Paola Carmagnani

“…The essay offers a critical analysis of Santha Rama Rau’s theatrical adaptation of E. M. Forster’s novel, largely ignored by postcolonial criticism. …”
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Classical Land/scapes: Transformative Geography in E. M. Forster’s Early Short Fiction by J. H. D. Scourfield

“…Tout comme les romans de E. M. Forster publiés en 1905 et 1908 qui évoquent l’Italie, plusieurs de ses contes antérieurs explorent les rapports complexes entre les Anglais et les pays méditerranéens. …”
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