Edo period: architecture and sculpture [slaid]/ by MacLaurin, Robert C, MacLaurin, Katharine B

Illegal Border Crossing: The Experience of Edo Period Travelers by A. A. Dudko

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Confucian Learning and Literacy in Japan’s Schools of the Edo Period by Kristina HMELJAK SANGAWA

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When art became fashion : kosode in Edo-period Japan / by 351264 Gluckman, Dale Carolyn, Takeda, Sharon Sadako

The Great Japan Exhibition : Art of the Edo Period, 1600 - 1868 / by Watson, William, 1917-2007, editor 562058

Manifestation of the Kabuki actors’ gender in woodblock prints of the Edo Period by Beata ROMANOWICZ

“…Both phenomena flourished in the Edo period and had a crucial impact on the visual art of the time, inspiring pictures of the Floating World (Jap. …”
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Edo Period Masculinity In Sugawara Denju Tenarai Kagami (1746) by Nina Alia Ariefa

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Urban Planning Seen Through the Process of Establishing Substitute Land in the Edo Period by Kilhun Lee

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A study on the technology development in the Edo period (Focusing on the influence of the Shinki-hatto) by Yasuhiro KINOSHITA

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THE TYPES OF PLANS AND INTERIOR DESIGN AT MEMORIAL CLOISTERS OF DAITOKU-JI AND MYOSHIN-JI TEMPLES IN KYOTO IN THE EDO PERIOD [1596~1868] -The Development and Changes of the Sanctuary- by Antariksa Antariksa

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Voice-Leading Considerations In Edo-Period Jiuta-Tegotomono: A New Analytical Approach by Burnett, Henry

“…This article seeks to clarify the modal voice-leading structure of Japanese Edo-period chamber music (roughly the music composed in both the kansai and kanto areas from 1690 to 1868), in particular that of shamisen jiuta tegotomono. …”
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Natural and synthetic arsenic sulfide pigments in Japanese woodblock prints of the late Edo period by Stephanie Zaleski, Yae Takahashi, Marco Leona

“…This pigment, available commercially in Europe from 1830 onward has been documented in Japanese art so far only in a handful of late Edo period paintings. The results of our comparative analysis further highlight differences in pigment use between Edo and Meiji periods, and point to arsenic sulfide pigments as useful markers for the date of original production for popular prints of the Edo period.…”
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Translating oral effects in East Asia: an Edo period version of Romance of the Three Kingdoms by Natasha Downs

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What goes bump at night? A survey of Japanese supernatural art in the Edo period by Kaur, Audrey Rose

“…However, was this truly the case in the Edo period which saw an uptick in the production of art which attempt to imagine such supernatural forms? …”
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“Ōbaku monks” in the history of the formation of the Ōbaku sect in Japan during the Edo period (1603-1868) by A. P. Lugavtsova

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Vecchio da fare paura! Rappresentazioni dell’uomo anziano nei bestiari del Giappone premoderno by Diego Cucinelli

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Sociology of ritual and narrative as post-Western sociology: from the perspective of Confucianism and Nativism in the Edo period of Japan by Yoshiyuki Yama

“…This paper then reviews a Nativism scholar, Motoori Norinaga, who was active during the Edo period and influenced Japanese environmental sociology through the folklorist Kunuo Yanagita. …”
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Study focuses on local government formation process in Kawagoe City from Edo Period to Meiji Era by Hiroshi Tsuchida, Yuka Honda

“…Abstract This paper focuses on the process of local government formation, from the Edo Period to the Meiji Era, in Kawagoe City, which has its roots in a castle town at the end of the Edo Period, in order to discover regional formation for urban reorganization. …”
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Flavor assessment of a lactic fermented vinegar described in Japanese books from the Edo period (1603–1867) by Naoyuki Yanagihara, Maeda Mayumi, Jun Yoshikawa, Sayuri Akuzawa, Akira Fujii, Masanobu Nagano, Yukimichi Koizumi, Kenji Maehashi

Subjects: “…Edo period…”
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Evidence of early amorphous arsenic sulfide production and use in Edo period Japanese woodblock prints by Hokusai and Kunisada by Marc Vermeulen, Marco Leona

“…Abstract This study explores the evolution of the manufacturing process of artificial arsenic sulfide pigments in Edo-period Japan through the analysis of three impressions of the same print dated from the 1830s and attributed to Katsushika Hokusai (1760–1849), and one from 1852 and attributed to Utagawa Kunisada (1786–1865). …”
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