Showing 1 - 20 results of 23 for search '"Edvard Munch"', query time: 0.14s Refine Results
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    Edvard Munch’s Toponymic Codes by Berman, Patricia G.

    Published 2017-12-01
    Subjects: “…Clinic. Edvard Munch. Sanatorium. Self-staging. Toponym…”
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    Det indre klima: Edvard Munch og naturforandringernes psykologi by Emil Leth Meilvang

    Published 2021-12-01
    Subjects: “…Edvard Munch…”
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    Levinas on Death - An interpretation of Edvard Munch’s The Death of Marat II (1907) by Jonas M. N. Sörensen

    Published 2013-06-01
    “…Due to Levinas we experience the death of the Other as the end of the Others capacity of expression. By interpreting Edvard Munch’s painting The Death of Marat that unlike David’s canonical painting of Marat is portraying both Marat and his killer Corday, I want to put Levinas’ thesis stating our responsibility for the Other as infinite into play. …”
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    Moses revisited. August Strindberg’s and Edvard Munch’s dramatic use of the figure of Moses by Camilla Storskog

    Published 2011-06-01
    “…In this essay I explore the literary interpretation of the figure of Moses in August Strindberg’s and Edvard Munch’s contemporary plays, Genom öknar till arvland (Through Deserts to Ancestral Lands,  1903) and Den fri Kjærligheds By (The City of Free Love, ca. 1905). …”
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    Intratextualidad en el poema "Los heraldos negros" de César Vallejo, versión primera-versión oficial, e intertextualidad con <i> El grito </i> de Edvard Munch by Ronald Campos López

    Published 2012-10-01
    “… Se pretende analizar las relaciones intratextuales entre la versión primera y la versión oficial del poema “Los heraldos negros” de César Vallejo, a partir de los gramas (fonético, sémico y sintagmático) del texto barroco según Severo Sarduy; así como las relaciones intertextuales de ambos textos con El grito de Edvard Munch, en tanto reminiscencias de una textualidad de perspectiva existencial. …”
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    Bergman's Dreams: Some notes by Paul Coates

    Published 2011-12-01
    “…Thus in Dreams such frames within the frame as a portrait and a window open up onto the oneiric; in Wild Strawberries, dreams are involved in the extensive doubling characteristic of the Expressionism also central to Bergman’s work; the oneirism of Persona may be illuminated not only by the obvious comparison with Edvard Munch, but also with Greek vase imagery; while Shame identifies the evaporation of dreams as one of humanity itself. …”
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