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Curse, Interrupted: <i>Richard III</i>, Jacob and Esau, and the Elizabethan Succession Crisis
Published 2018-10-01“…A previously unexplored reference to the biblical story of Jacob and Esau in Shakespeare’s <i>Richard III</i> underlines connections to the early modern dramatic preoccupation with the question of succession in the late Elizabethan era.…”
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Cosmopolitanism, Mobility and Hybridity in Shakespeare's Antony and Cleopatra
Published 2021-10-01“…Yet, a more socially reflective source of conventional notions is the Elizabethan era itself. The play is set in Alexandria and Rome, foreign destinations to veil the political allegory that exists between the fictional characters and real political figures. …”
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Intellectual and Aesthetic Relationship between the Public and the Modern Theater (the play Oh Lord!) as a model
Published 2019-09-01“…The audience in the modern era is no longer a substitute or representative of the nation as it is for the Greeks and is no longer general, broad representative of various societal groups as it is during the Elizabethan era, so the audience diversified and multiplied depending on the layer of direction treatment and intellectual and aesthetic starting points of the directors. …”
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Elizabeth II ― forming and becoming of personality
Published 2022-12-01“…It seems that the reign of Elizabeth II, due to the individuality of the queen and the length of her reign, may go down in history as the "New Elizabethan Era". …”
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Elizabeth II ― forming and becoming of personality
Published 2022-12-01“…It seems that the reign of Elizabeth II, due to the individuality of the queen and the length of her reign, may go down in history as the "New Elizabethan Era". …”
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