Elliott Carter (1908-2012) by Juan Orrego-Salas

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The later music of Elliott Carter by Harvey, D

Night Fantasies de Elliott Carter: estratégias de aprendizagem e performance Elliott Carter's Night Fantasies: learning and performance strategies by Luciane Cardassi

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Análise da estruturação temporal da obra "Changes" (1983) de Elliott Carter by Igor Mendes Krüger

“…Para isso, apresentarei uma análise da obra “Changes” (1983) para violão solo, do compositor Norte-Americano Elliott Carter. Nesta análise ressalto somente alguns aspectos composicionais da técnica deste compositor encontradas na obra em questão, dos quais David Schiff apresenta como importantes para a compreensão de como se desenvolve a estruturação do tempo musical na obra deste compositor. …”
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Tapping to Carter: A Response to Fischinger and Dyck-Hemming by Ève Poudrier

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Augmented Reality-Based Real-Time Visualization for Structural Modal Identification by Elliott Carter, Micheal Sakr, Ayan Sadhu

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Primary myoepithelial carcinoma of the Vulva: Case of a rare tumor with malignant potential and review of literature by Christopher Castelow, Elliott Carter, Stephen DePasquale

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Tableware design inspired by synergistic complementary opposites derived via non-visual language of sound by Ng, Tsian Wah

“…The musical pieces are Fratres (cello and piano) by Arvo Pärt in 1989, Carnival of the Animals [13th Movement – Le Cygne] (cello and piano) by Camille Saint-Saëns in 1886, Haru no Umi [The Sea in Spring] (koto and shakuhachi) by Michio Miyagi in 1929, Duo (violin and piano) by Elliott Carter in 1974, Raag Pancham Se Gara (sitra and tabla) by Ravi Shankar in 1982 and Suite En Duo [2nd Movement - Modéré] (flute and harp) by Jean Cras in 1927. …”
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