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The Power of Love: Rewriting the Romance in Isabel Allende's The House of the Spirits and Eva Luna
Published 2000-12-01“…Latin American writer Isabel Allende's novels The House of the Spirits and Eva Luna both contain a number of the elements and conventions of romantic fiction, including distinct similarities to the two acknowledged foundations of this genre: Charlotte Brontë's Jane Eyre and Emily Brontë's Wuthering Heights.However, The House of the Spirits and Eva Luna can also be read as rewritings of the genre of romantic fiction. …”
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Representations of Lovesickness in Victorian Literature
Published 2017-12-01“…For the purposes of this article, I will focus on representations of lovesickness in two novels from the Victorian period: Wuthering Heights by Emily Bronte and The Moonstone by Wilkie Collins. Drawing on the sociologist Eva Illouz’ Why Love Hurts? …”
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Wuthering Heights and Kleist's Novellen: Rousseauian Nature, Spontaneous Love, Infancy and the Performative Subversion of the Law
Published 2020-11-01“…I justify this seemingly unconventional comparison on the basis that both Kleist and Emily Brontë were deeply influenced by Rousseau’s works and by his novel, Julie, ou, la Nouvelle Héloïse (1761). …”
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A Struggle Between Literary and Self-Cannibalisation
Published 2016-12-01“… This article discusses the after-lives of Charlotte Brontë’s Jane Eyre (1847) and Emily Brontë’s Wuthering Heights (1847) as they have been rendered in V.S. …”
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The Political Unconscious in Jane Eyre, Wuthering Heights and Great Expectations
Published 2019-10-01“…This paper aims to explore three Victorian novels, namely Charlotte Brontë’s Jane Eyre (1847), Emily Brontë’s Wuthering Heights (1847), and Charles Dickens’s Great Expectations (1861) bringing together Marxist and postcolonial theories. …”
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Archetypal criticism : the notion of monomania overturns the hero’s journey
Published 2021“…First, the study sheds light on the Archetypal Hero character, named Heathcliff, in Wuthering Heights (1847) by Emily Bronte. Second, monomania is used as a lens to examine one of the central characters, Captain Ahab in Moby Dick (1851) by Herman Melville. …”
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Monomaniac revenge in Melville’s “Moby Dick” and Bronte’s “Wuthering Heights”
Published 2021“…This study will utilize rereading of the canonical texts; Moby Dick” by Herman Melville and “Wuthering Heights” by Emily Bronte, to make better understanding of the ‘monomaniac revenge’ by highlighting and analyzing the main characters in the two novels above ‘Ahab’ and ‘Heathcliff’, respectively, and their destructive revenge under the light of Psychological theory. …”
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Book Review: Deborah Lutz, Relics of Death in Victorian Literature and Culture (Cambridge: Cambridge University Press, 2015)
Published 2016“…Tennyson, naturally, features prominently, though Lutz limits her analysis to In Memoriam and shorter elegies, alongside chapters on Keats, D. G. Rossetti, Emily Brontë, Charles Dickens and Thomas Hardy. Her focus throughout is on relics as ‘lyrical matter’ (1), a phrase which puns on the book’s conceptual origins in the recent wave of cultural and material analysis. …”
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The Slave Narrative of Wuthering Heights
Published 2011-01-01“…This article explores how Emily Brontë, in Wuthering Heights, uses the discourse of race and slavery, or emancipation from slavery, to further a political project of freeing the underprivileged, Heathcliff, the excluded, demonised, and homeless slave, from the grip of the rich. …”
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Excès et sacré dans la littérature victorienne et édouardienne
Published 2006-12-01“…Unlike her sisters, Emily Brontë stands, in her solitude, for some form of sacred violence and for the rejection of the identification of God with reason. …”
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“Ride and Tie”: Looking at Horses in the English Novel through Posthuman Eyes
Published 2018-10-01“…Then, from a posthumanist critical position it discusses and illustrates the “narrative agency” of living horses with reference to Henry Fielding’s Joseph Andrews (1742), Jane Austen’s Northanger Abbey (1818), Emily Brontë’s Wuthering Heights (1848), and that of dead horses in George Eliot’s Silas Marner (1861) and Thomas Hardy’s Tess of the d’Urbervilles (1891).…”
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“The Brontë Myth” Reception in “«Brontë’s Mistress”» by Finola Austin
Published 2021-04-01“…It is concluded that based on the dialogue with the fictionalized biography of Elizabeth Gaskell, the novels of Anne Brontë “Agnes Gray”, “Tenant of Wildfell Hall”, Charlotte Brontë “Jane Eyre”, “Villette” and Emily Brontë “Wuthering Heights”, Finola Austin poses and solves in a close to feminist way issues related to the themes of family, marriage, female sexuality, the role of women in Victorian and modern society. …”
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Emily and Charlotte Brontë’s Re-reading of the Byronic hero
Published 2010-03-01“…For Victorian novelists, one of the most intriguing aspects of his works was his obsessive explorations of literal or symbolic sibling incest, as the possibility that desire arises from an identification between male and female versions of the same psyche. Emily Brontë’s reading of Byron privileges this dark side of the literary myth, and her main focus is on the mysterious identity and Gothic aspects of the Byronic hero. …”
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Livro e emoção: um estudo das estratégias de patemização em um vídeo-resenha literário no YouTube
Published 2022-11-01“…O corpus de análise é composto por um vídeo de resenha com spoilers do livro “O morro dos ventos uivantes”, da autora Emily Brontë, publicado pela booktuber Ju Cirqueira no dia 10 de outubro de 2021, em seu canal do YouTube. …”
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“Let me in!”: narratives of grief in nineteenth-century British literature
Published 2023“…The texts for this project include Emily Brontë’s Wuthering Heights (1847), Charlotte Brontë’s Villette (1853), and Mary Elizabeth Braddon’s two sensation novels, Weavers and Weft (1876) and The Fatal Three (1888). …”
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Beastly arrangements: animals, classification, and literary form, circa 1830-1870
Published 2018“…</p> <p>Chapter three turns to another novelist, Emily Brontë, to think further about how writers of this period imagined a textual world that included other animals yet enabled differentiation between them and humans. …”
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