Narrators' Credibility by Raad S. Rauf, Akrm E. Danail

“…Scott Fitzgerald’s The Great Gatsby in comparison with some other works such as Joseph Conrad’s Heart of Darkness and Emily Bronte’s Withering Heights.…”
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C.S. Parnell, a Controversial Irish Political Leader by Mohammed S. Qasim, Munthir A. Sabi, Fatima R. Hussein

“…This love story, condemned by the Church as adultery, becomes one of the rarest romances, matched by the famous mad love of Catherine and Heathcliff in Emily Bronte's Wuthering Heights (1847), as depicted by Dorothy Eden in her novel, Never Call it Loving(1966). …”
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The Political Unconscious in Jane Eyre, Wuthering Heights and Great Expectations by Hale Küçük

“…This paper aims to explore three Victorian novels, namely Charlotte Brontë’s Jane Eyre (1847), Emily Brontë’s Wuthering Heights (1847), and Charles Dickens’s Great Expectations (1861) bringing together Marxist and postcolonial theories. …”
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Alison Case’s Nelly Dean (2016): An Exceptional Neo-Victorian Novel? by Isabelle Roblin

“…Nelly Dean by Alison Case (2016) appears to be an exception within the numerous contemporary rewritings of Emily Brontë’s only novel Wuthering Heights. Hypotext and hypertext share the same basic narrator, Nelly Dean who, in the contemporary retelling, writes to Mr Lockwood about ‘the story [she] told [him] over those long, dark nights’, but also about ‘the story [she] didn’t tell’ (2). …”
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Archetypal criticism : the notion of monomania overturns the hero’s journey by Ahmad Muhyiddin Yusof, Noraileen Ibrahim, Nur Azmina Mohd Zamani, Mohd Muzhafar Idrus

“…First, the study sheds light on the Archetypal Hero character, named Heathcliff, in Wuthering Heights (1847) by Emily Bronte. Second, monomania is used as a lens to examine one of the central characters, Captain Ahab in Moby Dick (1851) by Herman Melville. …”
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Monomaniac revenge in Melville’s “Moby Dick” and Bronte’s “Wuthering Heights” by Salih, Ismail Khalaf, AbdulKareem, Danear Jabbar, Abdullah, Omar Najem

“…This study will utilize rereading of the canonical texts; Moby Dick” by Herman Melville and “Wuthering Heights” by Emily Bronte, to make better understanding of the ‘monomaniac revenge’ by highlighting and analyzing the main characters in the two novels above ‘Ahab’ and ‘Heathcliff’, respectively, and their destructive revenge under the light of Psychological theory. …”
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The Identification of Slurs and Swear Words in Bronte Sisters’ Novels by Citra Suryanovika, Irma Manda Negara

“…The researchers employed MAXQDA 2018.1 (the data analysis tool) for analyzing the samples of five female and male main characters of the novel of Emily Bronte (Wuthering Heights), Charlotte Bronte (Jane Eyre), and Anne Bronte (The Tenant of Wildfell Hall). …”
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Book Review: Deborah Lutz, Relics of Death in Victorian Literature and Culture (Cambridge: Cambridge University Press, 2015) by Sullivan, M

“…Tennyson, naturally, features prominently, though Lutz limits her analysis to In Memoriam and shorter elegies, alongside chapters on Keats, D. G. Rossetti, Emily Brontë, Charles Dickens and Thomas Hardy. Her focus throughout is on relics as ‘lyrical matter’ (1), a phrase which puns on the book’s conceptual origins in the recent wave of cultural and material analysis. …”

The Slave Narrative of Wuthering Heights by Mahmoud Salami TurkiAl-Thubaiti

“…This article explores how Emily Brontë, in Wuthering Heights, uses the discourse of race and slavery, or emancipation from slavery, to further a political project of freeing the underprivileged, Heathcliff, the excluded, demonised, and homeless slave, from the grip of the rich. …”
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Excès et sacré dans la littérature victorienne et édouardienne by Annie Escuret

“…Unlike her sisters, Emily Brontë stands, in her solitude, for some form of sacred violence and for the rejection of the identification of God with reason. …”
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“Ride and Tie”: Looking at Horses in the English Novel through Posthuman Eyes by Sinan AKILLI

“…Then, from a posthumanist critical position it discusses and illustrates the “narrative agency” of living horses with reference to Henry Fielding’s Joseph Andrews (1742), Jane Austen’s Northanger Abbey (1818), Emily Brontë’s Wuthering Heights (1848), and that of dead horses in George Eliot’s Silas Marner (1861) and Thomas Hardy’s Tess of the d’Urbervilles (1891).…”
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“The Brontë Myth” Reception in “«Brontë’s Mistress”» by Finola Austin

“…It is concluded that based on the dialogue with the fictionalized biography of Elizabeth Gaskell, the novels of Anne Brontë “Agnes Gray”, “Tenant of Wildfell Hall”, Charlotte Brontë “Jane Eyre”, “Villette” and Emily Brontë “Wuthering Heights”, Finola Austin poses and solves in a close to feminist way issues related to the themes of family, marriage, female sexuality, the role of women in Victorian and modern society. …”
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Emily and Charlotte Brontë’s Re-reading of the Byronic hero by Cristina Ceron

“…For Victorian novelists, one of the most intriguing aspects of his works was his obsessive explorations of literal or symbolic sibling incest, as the possibility that desire arises from an identification between male and female versions of the same psyche. Emily Brontë’s reading of Byron privileges this dark side of the literary myth, and her main focus is on the mysterious identity and Gothic aspects of the Byronic hero. …”
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Livro e emoção: um estudo das estratégias de patemização em um vídeo-resenha literário no YouTube by Pâmela da Silva Pochmann, Ernani Cesar de Freitas, Fernando Simões Antunes Junior, Sandra Portella Montardo

“…O corpus de análise é composto por um vídeo de resenha com spoilers do livro “O morro dos ventos uivantes”, da autora Emily Brontë, publicado pela booktuber Ju Cirqueira no dia 10 de outubro de 2021, em seu canal do YouTube. …”
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“Let me in!”: narratives of grief in nineteenth-century British literature by Koh, Carina Hui Ling

“…The texts for this project include Emily Brontë’s Wuthering Heights (1847), Charlotte Brontë’s Villette (1853), and Mary Elizabeth Braddon’s two sensation novels, Weavers and Weft (1876) and The Fatal Three (1888). …”
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Beastly arrangements: animals, classification, and literary form, circa 1830-1870 by Westwood, B

“…</p> <p>Chapter three turns to another novelist, Emily Brontë, to think further about how writers of this period imagined a textual world that included other animals yet enabled differentiation between them and humans. …”

Women, love, and commodity culture in British romanticism / by Garofalo, Daniela, 1968-