Live From Moscow by Lundgren, Lars

“…The broadcast was made possible by the linking of the Intervision and Eurovision television networks, which was the result of cooperation between broadcasters on both sides of the Iron Curtain. …”
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Nature and Magic as Representation of “The Sami”—Sami Shamanistic Material in Popular Culture by Anne Kalvig

“…This article examines how magic and nature become representations of both “the Sami” and “Sami shamanism” in animation films <i>Frozen 2</i> and <i>Klaus</i>, in the television crime series <i>Midnattssol</i> (<i>Midnight Sun</i>) and in three Eurovision Song Contest contributions partly by Sami artists, containing <i>joik</i>. …”
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News report: What's next? Public service journalism in the age of distraction, opinion and information abundance by Borchardt, A, Simon, FM, Corbin, L, Et al.

“…The EBU News Report is produced by Eurovision News and authored by Dr Alexandra Borchardt and Felix M. …”

Connected Enemies? by Beutelschmidt, Thomas, Oehmig, Richard

“…The OIRT, as an umbrella organization, coordinated cooperation between the TV-stations in the socialist community and represented their interests to the “European Broadcasting Union” (UER/EBU) and the “Eurovision” system. While “Intervision” handled the direct program traffic between the stations, exchange of movies and occasionally TV series was an autonomous field. …”
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East and West on the Finnish Screen by Pajala, Mari

“…Transnational themes fall into four categories: (1) learning about television in other countries; (2) the Eurovision and Nordvision networks; (3) watching television across national borders (Swedish and Tallinn television but also television across surprising distances); and (4) visions of world television. …”
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Wir sind Conchita, nicht Russland, oder: Homonationalismus auf gut Österreichisch by Masha Neufeld, Katharina Wiedlack

“…The article focuses on media publications between the introduction of the “anti-homosexual propaganda law” in June 2013 and the victory of Conchita Wurst at the Eurovision Song Contest in May 2014, since this was the period where most news examples were published on the matter. …”
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O teatrze bulwarowym: Szkic by Dobrochna Ratajczakowa

“…After the Second World War, with the consecration of avant-garde, when Eurovision has been established and cinema has taken over great commercial and entertainment enterprises, boulevard theatre has become a marginal phenomenon, though it still has a loyal audience.…”
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CREATIVE ACHIEVEMENTS OF THE LEADING MUSIC BANDS OF UKRAINE by Sviatoslav Berezhnyk

“…It can be stated that, through them, Ukrainian music occupies one of the leading positions in the European music space, which is proved by hosting «Eurovision–2017» in Kyiv.…”
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Sentiment analysis for measuring hope and fear from Reddit posts during the 2022 Russo-Ukrainian conflict by Alessio Guerra, Oktay Karakuş

“…Spikes in hope/fear, both positives and negatives, are present not only after important battles, but also after some non-military events, such as Eurovision and football games.…”
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Contemporary symbols in the space of Baku by Elżbieta Kaczmarska

“…The preparation for the Eurovision Song Contest in 2012 initiated another construction boom in the history of Baku, fuelled with petrodollars, and became an occasion to present a new vision of the capital. …”
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Der Einfluss von Fernsehübertragungen von Mega-Events auf die Wahrnehmung des Gastgeberlandes by Christiana Schallhorn

“…Die Studie untersucht, wie das Wissen und Vorstellungen über Aserbaidschan durch das musikalische Mega-Event Eurovision Song (ESC) Contest beeinflusst werden. Es stellt sich die Frage, ob und wie sich die Wahrnehmung des Austragungslandes zwischen Personen ohne Vorerfahrungen, die die Sendung intensiv (Vielseher), teilweise (Teilseher) oder gar nicht (Nichtseher) verfolgt haben und Personen mit Vorerfahrungen voneinander unterscheidet. …”
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Palabras e imágenes del underground en 1,2,3 al escondite inglés (Iván Zulueta, 1970) by Elena Rosillo

“…En 1,2,3, al escondite inglés (1970) Iván Zulueta narra el deseo de un grupo de jóvenes por desbaratar el “Festival de la Canción de MundoCanal” (una parodia de Eurovisión). Para ello se rodea de actuaciones musicales de las principales bandas de la “modernidad” española del momento, como Los Ángeles o Fórmula V, entre otros. …”
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Herzstück: Performatives Lehren und Lernen am Beispiel eines Gemeinschaftsprojekts im universitären DaF-Bereich oder frei nach Schiller: Von der performativen Erziehung des Mensche... by Kulovics, Nina, Terler, Kerstin

“…Nachdem jeder Standort ein erstes internes Klassensiegervideo einschickte, wurden anschließend via Facebook-Gruppe und Dropbox diese Videos weitergeleitet und – ganz im Sinne eines Eurovision Video Contests – von den anderen Studentengruppen begutachtet, um schließlich ein Siegervideo aus allen teilnehmenden Ländern zu küren. …”
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Constructivism as a Popular Musical Narrative in Serbia: Changing of Sound, Ideological and Visual Monopoly in Serbian Music Industry by Svetlana Lazić, Mirjana Matović, Sanja Maričić Mesarović

“…This paper represents a sociolinguistic analysis of the new musical thought of the singer-songwriter Ana Đurić, who goes by the artistic name Konstrakta, who, within the campaign for the Eurovision Song Contest in May 2022 in Turin, extended her artistic influence beyond the national borders of Serbia. …”
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