"The colour of tears": Fernand Léger’s and D.H. Lawrence’s Experiences of the Great War by Brigitte Macadré-Nguyên

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Non-Destructive Testing of Dalle de Verre Windows by Fernand Léger and Alexandre Cingria in Switzerland by Johannes Hugenschmidt, Sophie Wolf, Christophe Gosselin

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Interfaces of art: Meyer Schapiro, Fernand Léger, and the role of the art historian in anachronistic artistic influence by Amanda Wasielewski

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Fernand Léger et le groupe Espace à Biot. Un terrain d’expérimentation pour une modernité critique by Diana Gay

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Techniques Developed in Early Cinema to Edit and Choreograph Unscripted Footage by Blas Payri

“…Georges Méliès choreographed with editing by cutting, overlaying, dissolving and the substitution splice. Fernand Léger applied looping and kaleidoscope effects to create new rhythms and patterns. …”
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The Generalized Image: Imagery Beyond Representation in Early Avant-Garde Film by Ulrik Schmidt

“…I will investigate the issue by revisiting a series of iconic images in early 1920s avant-garde film by the artists Man Ray and Fernand Léger. On this background, and in dialogue with film theorists and philosophers such as Malcolm Le Grice and Gilles Deleuze, I outline the basic properties and aesthetic potentials of what I term the generalized image as an imagery that operates and affects beyond the very question of representation.…”
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«Silentium: el silencio cósmico como imagen en la Edad Media y en la Modernidad» by Francisco Prado-Vilar

“…Framing this essay is a critical examination of the results of the engagement of painters Fernand Léger and Roberto Matta with the illustrations of one of these manuscripts, the so-called Morgan Beatus, which had been famously introduced to them by Meyer Schapiro in the 1930’s, shedding light on the complexities of the dialogue between medieval and modern art. …”
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