Ph.D. Thesis Abstract - Experiments in Dramatic Music: The Film Music and Criticism of Georges Auric, 1919-1946 by Colin Roust

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Who Lives, Who Dies, Who Sings Which Story?: Narrative Production and Race in the Curriculum of Film Musicals by Joanna Batt, Michael Joseph

Subjects: “…social studies; history education; curriculum; film; musicals; race; racism…”
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The urban soundscape in sci-fi cinema by Alejandro Contreras Koob, Albina Boyarkina

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Audio History of Film: Introduction by Pauleit, Winfried, Greiner, Rasmus, Frey, Mattias

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Colour association to sound : a perceptual experiment using a CIELab haptic response interface and the Jyväskylä film music set by Lindborg, PerMagnus

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La música en los albores del cine sonoro chileno by Miguel Farías

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A Certain Autonomy: Music in the Films of John Huston by Richard Ness

Subjects: “…Film Music…”
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Robert Rabenalt, Musikdramaturgie im Film. Wie Filmmusik Erzählformen und Filmwirkung beeinflusst, München: edition text + kritik 2020 by Matthieu Stepec

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Music and Time Perception in Audiovisuals: Arousing Soundtracks Lead to Time Overestimation No Matter Their Emotional Valence by Alessandro Ansani, Marco Marini, Luca Mallia, Isabella Poggi

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How Soundtracks Shape What We See: Analyzing the Influence of Music on Visual Scenes Through Self-Assessment, Eye Tracking, and Pupillometry by Alessandro Ansani, Alessandro Ansani, Marco Marini, Marco Marini, Francesca D’Errico, Isabella Poggi

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Il catalogo musicale pop e il cinema delle emozioni: il caso "Yuppi Du" (1975) by Massimo Locatelli

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El jazz: una aproximación a su estudio como producto artístico y como elemento argumental transmedia by Virginia Sánchez Rodríguez

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North and Kubrick between Ligeti and Vaughan Williams for the 2001 Soundtrack by Paolo Pinamonti

Subjects: “…film music…”
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The Power of Conformity: Music, Sound, and Vision in Back to the Future by Marc Priewe

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Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores, by Peter Franklin by K. A. Wisniewski

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“Commutation Tricks” and “Forced Marriages.” Videographic Manipulation as a Tool for the Analysis of Music in Films by Emilio Audissino

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GERMAN CINEMA OF THE 1920TH IN RUSSIAN AND FOREIGN SCIENCE OF THE XXTH CENTURY: TRADITIONAL AND NEW APPROACHES by M. E. Zolnikov

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Investigating Sound Design in Film: A Commentary on Kock and Louven by Siu-Lan Tan

Subjects: “…film music…”
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“I am what I am. I am my own special creation”. The trans-genre soundtrack of Paris Is Burning by Costanza Rovetta

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Dalla ‘compilazione d’autore’ al ‘poema lirico-sinfonico’ by Sala, Emilio

Subjects: “…Early sound cinema. Film music. Musical Dramaturgy. Silent cinema…”
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