Tim Burton: The Monster and the Crowd: A Post-Jungian Perspective, by Helena Bassil-Morozow by Deborah Mellamphy

“…It is nothing new to discuss cinema in terms of analytical psychology: Gregory Matthew Singh’s Film After Jung: Post-Jungian Approaches to Film Theory (2009), Jung and Film: Post-Jungian Takes on the Moving Image (2001), edited by Christopher Hauke and Ian Alister, and Mis/takes: Archetype, Myth and Identity in Screen Fiction (2006) by Terrie Waddell all discuss archetypes and the concept of the collective unconscious within classical and contemporary cinema. …”
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On the influence of low-level visual features in film classification. by Federico Álvarez, Faustino Sánchez, Gustavo Hernández-Peñaloza, David Jiménez, José Manuel Menéndez, Guillermo Cisneros

“…<h4>Background</h4>In this paper we present a model of parameters to aesthetically characterize films using a multi-disciplinary approach: by combining film theory, visual low-level video descriptors (modeled in order to supply aesthetic information) and classification techniques using machine and deep learning.…”
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The study of the separation and deposition of dredging soil slurry under physical disturbance by Yan-zhao Yuan

“…Therefore, based on the fluidized bed flow film theory, a slurry flow film structure system is established according to the disturbance state of the fluid. …”
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The deep time of the screen, and its forgotten etymology by Giorgio Avezzù

“…If we bring this understanding of “screen” to the field of film theory, we deal with an idea of experience that has less to do with the notion of engagement adopted by contemporary approaches focusing on affect, emotion, cognition (and neuroscience), and more to do with the disengagement of the spectator from whatever is represented, and even more to do with the added value that such disengagement brings forth.…”
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WITH SHINING EYES: WATCHING AND BEING WATCHED IN SARAH WATERS’S "TIPPING THE VELVET" by Viktorija Krombholc

“…The analysis is theoretically framed by feminist film theory and the concept of the male gaze. According to Laura Mulvey, classic narrative cinema reflects social views on sexual difference and reaffirms the active male/passive female binary. …”
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The study of the separation and deposition of dredging soil slurry under physical disturbance. by Yan-Zhao Yuan

“…Therefore, based on the fluidized bed flow film theory, a slurry flow film structure system is established according to the disturbance state of the fluid. …”
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Dropwise condensation induced on chromium ion implanted aluminum surface by Kiwook Kim, Youngjin Lee, Ji Hwan Jeong

“…The heat transfer coefficient of the surfaces on which dropwise condensation occurs appeared to be approximately twice as much as the prediction by Nusselt’s film theory. In a durability test, dropwise condensation lasts over six months and the heat transfer coefficient is also maintained. …”
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Med kadrom in montažo. Koncept časa v filmski teoriji in praksi Andreja Tarkovskega by Jonas Miklavčič

“…The Concept of Time in Film Theory and Practice of Andrei Tarkovsky - The paper presents Tarkovsky’s understanding of time as a subjective category that cannot be measured and is connected with our experience of life. …”
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Mother-Daughter Identity Constructs in "Lady Snowblood" and "Carrie" by Kristin A. Hrehor

“… Both Carrie (1976) and Lady Snowblood (1973) have each received significant attention in critical film theory and philosophical works. However, when considered with the aim of drawing comparisons rather than focusing on established theoretical concerns that prevent or at least obfuscate such a pairing, both films betray the same approach to identity construction with respect to the main female characters. …”
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Estimation of solute transport parameter and mass transfer coefficient in nanofiltration for solvent diluted palm oil by Lim, K. M., Ghazali, N. F.

“…In this study, an estimation of mass transfer and solute transport parameters in organic solvent was conducted by using the Levenberg-Marquardt least squares method. Combined film theory/solution-diffusion model was selected and was correlated with experimental data to estimate the parameters. …”
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Reverse micelle extraction of erythromycin with mixed surfactant anionic and zwitterionic by Siti Norazimah, Mohamad Aziz

“…The experimental data were analyzed using Two-film theory, Langmuir, Freundlich and Sips isotherm model and the best fitted isotherm model was then determined using error analysis. …”
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A film study through the prism of psychoanalytic and analytic understanding of art and creativity by Rakočević-Medojević Danijela

“…Using the postulates of psychoanalytic and analytic theory, we present a case study - a film, through the prism of Freud and Jung. Psychoanalytic film theory (Freud) analyses the phenomenon of film with the emphasis on the personal and individual aspects of the creator, while analytic psychology (Jung) accentuates the archetypal approach to universality where the artwork is considered as a unique entity with the elements and patterns that can be found in other creative products. …”
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Displacements. Contexts for a Participatory Media Project by Müllner András

“…After revisiting some historical examples and definitions of participatory film, the author focuses on the concept of displacement as used in film theory and psychology, which he attempts to redefine and thereby reverse its negative connotations. …”
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Notes on Sincerity in Russian Auteur Cinema of the 2010s by Irina Souch

“… The notion of sincerity is well-established in Western film theory to describe a certain style of filmmaking, but in Russia this tendency has only recently become manifest. …”
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„Cadre de vie”. Jean-Luc Godard’s „Deux ou trois choses que je sais d’elle” (1967), French TV and Architectural Discourse by Jacqueline Maurer

“…The main interest of the text lies in the use of the 360-degree pan shot and the notion of cadre (frame), as they connect film theory and the contemporary discourse about how the décor, i.e. the (built) environment, influences people’s cadre de vie (living conditions). …”
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A decolonising approach to genre cinema studies by Sarah Shamash

“…Through course design that recognises the way that the evolution of film theory in general, and genre theory in particular, has been encoded in Euro-Western-centrism and analysis, my teaching practice brings into conversation other knowledges and approaches to film-making and film studies that have often been excluded from film studies pedagogy. …”
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Sound, voice, music: Editorial by Danijela Kulezic-Wilson, Christopher Morris, Jessica Shine

“…The division between film theory and film music theory was further exacerbated by the perception cultivated by some film scholars that music represented an addition to, rather than an integral part of, film (Kalinak). …”
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Paul Fraisse’s Psychology of Rhythm: A Case for Filmology? by Massimo Locatelli

“…Finally, I will delve into film theory. In particular, I will put forward the assumption that the sense of rhythm, due to its values of Gestalt organisation, plays a fundamental role in narrative and event-based viewing, enhancing it; yet, due to the dimensions of sensory-motor activation, sound rhythms, in particular, can induce both bodily and neural entrainment and constitute in film an auditive analogon of those embodied and enactive visual processes recognised by the most recent neurofilmological approaches. …”
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The Cultural Philosophy Values in The “Denpasar-Style Bridal Makeup: Symbols and Meanings” Documentary Film by Ni Kadek Dwiyani, I Kadek Puriartha, Dewa Ayu Leliana Sari

“…This writing uses a qualitative descriptive method, by providing explanatory descriptions of the results of the study using Documentary Film theory (Ayawaila: 2018) and Anthropological theory (Sare: 2007). …”
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“Dad, Mum, eat.”: Examining the influence of film school on the student filmmaker in Singapore by Lim, Megan En

“…It explores the influence of film school on student filmmaker’s understanding of conventions, their exposure to film theory and history and their engagement with the collaborative creative process of filmmaking. …”
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