Assessment of scale-up parameters of microwave-assisted extraction via the extraction of flavonoids from cocoa leaves by Chan, Chung Hung, Yusoff, Rozita, Ngoh, Gek Cheng

“…Modeling of MAE of flavonoid compounds from cocoa (Theobroma cacao L.) leaves using the film theory model was performed for this purpose. Operating parameters such as the sample particle size, the solvent-to-feed ratio, and the microwave irradiation power were also included in the kinetic study. …”

3G Handy Guide : Digital Production And Editing / by 3G E-LEARNING

“…Digital Production is a new and interdisciplinary field that lies at the cross-section of film production, sound production, design, screenwriting, communication and film theory. It entails transforming creative ideas and assets such as text, images and interactive apps into a variety of digital media, and includes the production of digital music, streaming video, and other widely distributed content. …”

The work of an invisible body: The contribution of foley artists to on-screen effort by Lucy Fife Donaldson

“…On-screen bodies are central to our engagement with film. As sensory film theory seeks to remind us, this engagement is sensuous and embodied: our physicality forms sympathetic, kinetic and empathetic responses to the bodies we see and hear. …”
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Highlighting Racial Demonization in 3D Animated Films and Its Implications: A Semiotic Analysis of Frankenweenie by Chikezie Uzuegbunam, Chinedu Richard Ononiwu

“…Anchored within the psychoanalytic film theory, the aim was to highlight how animated films, as colorful and comic as they are, can demonize a certain group of people. …”
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Improved understanding of Sodium hydroxide concentration role and kinetic model of cryolite reactive extraction in cathode Spent Pot Linings by Tropenauer Blaž, Klinar Dušan, Golob Janvit

“…A newly developed kinetic model based on Whitman film theory and NaOH mass flow enables prediction of the reaction time to decompose cryolite to a low enough level. …”
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The Image, Alone: Photography, Painting and the Tableau Aesthetic in Post-Cinema by Ágnes Pethő

“…These films are usually categorized as slow movies, and indeed their duration has inspired the majority of their analysis in film theory. Nevertheless, I suggest that we should focus on the similarities between the tableau sequences of slow movies and the installations of moving image tableaux in order to highlight the ways they revitalise the traditional, intermedial figure of the tableau vivant in art, and foreground the single, photographic frame within moving images. …”
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La vie devant soi – Die lewe lê voor, maar ook agter ons: Hoop vir die toekoms uit traumatiese verledes? by Pieter Verster

“…It creates new possibilities in the approach of literature and film theory. In this novel and its film versions hope springs directly from a traumatic past.…”
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A Study on the Coupling of Cinematic Emotional Narratives and Social Psychology: Makoto Shinkai’s Animated Film Suzume by Meng Haohan, Xu Qingxia, Sun Jinhua

“…The examination of the interaction between cinema and its audience represents a significant area of inquiry in contemporary film theory. In recent years, there has been a shift from a “creator-centered” to an “audience-centered” approach to film narrative. …”
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The Myth of Total Shakespeare: Filmic Adaptation and Posthuman Collaboration by Seth Lewis

“…I propose that the textual discourses surrounding Shakespeare’s life and works are reconstructed through posthuman interventions in the cinematic representation of Shakespeare and his contemporaries. Couched in both film theory and cybernetics, the surfacing of posthuman interventions in Shakespearean appropriation urges the reconsideration of what it means to engage with Shakespeare on film and television. …”
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The Fiction in Non-Fiction Film by Carlos Ruiz Carmona

“…Over the past few decades film theory, major scholars and acclaimed filmmakers have established that documentary just like fiction must resort to ambiguous and subjective rhetorical figures in order to represent the world. …”
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Surface Contact: Film Design as an Exchange of Meaning by Lucy Fife Donaldson

“…Surface has become an important consideration of sensory film theory, conceived of in various forms: the screen itself as less a barrier than a permeable skin, the site of a meaningful interaction between film and audience; the image as a surface to be experienced haptically, the eye functioning as a hand that brushes across and engages with the field of vision; surfaces within the film, be they organic or fabricated, presenting a tactile appeal. …”
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Aspects of Elliptical Editing: Temporal Omission as a Narrative Device in Fiction Film by Madlen Sieghartsleitner

“…However, the ellipsis as a narrative tool has seldom been addressed in film theory, and when it has, it has tended to be treated in a manner of purely instrumental qualities of skipping the unimportant parts of a plot, to cover vast stretches of story time or as a pure mean of scene transitions. …”
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THE PERFORMANCE ANALYSIS OF A PACKED COLUMN : CALIBRATION OF AN ORIFICE by Aynur ŞENOL

“…Emphasis is mainly placed on the way to formulate an algorithm of designing a pilot scale column through the models being attributed to the film theory. Using the column dry pressure drop properties based on the air flowing it has been achieved a generalized flow rate approach for calibrating of an orifice through which the air passes.…”
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Determination of fast gas–liquid reaction kinetics in flow by Zhang, Jisong, Teixeira, Andrew, Zhang, Haomiao, Jensen, Klavs F

“…By performing a steady-state flux balance of both gas and liquid flowing into the reactor and developing a mathematical model based on the film theory, the reaction kinetic parameters can be determined with excellent precision with the use of only a single gas flow meter. …”
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Transpiration-cooling heat transfer experiments in laminar and turbulent hypersonic flows by Naved, I, Hermann, T, Hambidge, C, Ifti, HS, Falsetti, C, McGilvray, M, Tirichenko, IS, Vandeperre, L

“…It was found that a modification to existing relations from film theory successfully correlates the streamwise heat transfer distribution on the injector for different blowing rates of nitrogen and helium. …”

Synthesis, characterization and filtration of adsorptive biobased membrane from Jatropha oil modified with graphene oxide by Harun, Nur Haninah

“…Meanwhile, mass transfer mechanism for JPU/GO 0.50wt% was depicted by combined film theory/solution-diffusion (CFSD) and combined film theory/Spiegler-Kedem (CFSK). …”
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Framing the Real: Lefèbvre and Neo-Realist Cinematic Space as Practice by David Brancaleone

“…In 1945 Roberto Rossellini’s Neo-realist Rome, Open City set in motion an approach to cinema and its representation of real life – and by extension real spaces – that was to have international significance in film theory and practice. However, the re-use of the real spaces of the city, and elsewhere, as film sets in Neo-realist film offered (and offers) more than an influential aesthetic and set of cinematic theories. …”
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Literature and Cinema from "Adaptation" to Re-creation: Coping with the Complexity of Human Recollection by Carlo Testa

“…Early 20th-century avant-gardes put a premium on the notion of "originality" and so created a cultural context in which "adaptation" -- in particular, lit-to cinema adaptation -- later came to be construed by film theory as a kind of derivative, inferior notion. …”
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Investigating CO2 Absorption in Rotating Packed Beds: Development, Validation, and Operational Analysis of a Rate-Based Model by Babis Kantouros, Panagiotis Kazepidis, Athanasios I. Papadopoulos, Panos Seferlis

“…The model employs a first principles approach and solves material and energy balance equations using the shooting method. Two-film theory is used to represent mass transfer in conjunction with up-to-date correlations. …”
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TOPICAL REVIEW Progress in cold roll bonding of metals by Long Li, Kotobu Nagai and Fuxing Yin

“…Bonding mechanisms, in which the film theory is expressed as the major mechanism in CRB, as well as bonding theoretical models, have also been reviewed. …”
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