The application of transpiration cooling as a thermal protection system for hypersonic vehicles by Naved, I

“…It was found that a modification to existing relations from film theory successfully correlates the stream-wise heat transfer distribution on the injector for different blowing rates of nitrogen and helium injection at both laminar and turbulent regimes. …”

Application of transpiration cooling on hypersonic vehicles to mitigate material oxidation by Ewenz Rocher, M

“…This is achieved by combining the self-similar boundary layer equations with thin film theory. The resulting semi-analytical correlation explicitly expresses the concentration of freestream species on a hypersonic stagnation point as a function of freestream conditions, surface geometry and coolant properties. …”

Cinema as a form of composition by Michele Guerra

“…This means framing the history of cinema and film theory in terms of the techniques that were available, and starting from there: of course, whilst Barry Salt’s somewhat provocative suggestion by no means cancels out the entire cultural, artistic and aesthetic discourse in cinema – which remains fundamental – it nonetheless raises an interesting point, as if we fail to consider the methods and techniques of production, we will probably never truly grasp what cinema is. …”
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The Making of FQ, or How to Pick up Pellets of Information in the Clouds of Fantasy by Kristin Bergaust

“…Research and documentary material formed a base for an animation that was conceptually inspired by photo theories from diverse sources as well as feminist film theories of the gaze. In the process, imagination and fantasy plays into the treatment of the documentary material while the local viewing situation anchors the work in a biographical context.…”
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Solid State Physics by Harvey, George G., Gyorgy, E. M., Kip, A. F., Tisza, Laszlo, Kingston, R. H., Sondheimer, E. H., Meckler, A., Reiner, D.

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De gatos, ratones y caracoles. Continuidad y ruptura de las imágenes cinematográficas de la sociedad colombiana by Sonia Sánchez-Rivera

“…Based on a methodology that establishes the reading of works, in key to film theories (Casetti, 2005), conceptual and visual metaphors (Lakoff & Johnson, 2017) and some approaches to decolonial thinking (Quijano, 2000) is expected to show how cinema offers arguments, points of view or social, political and symbolic explanations that intervene in the creation of images of societies, their contexts and their history. …”
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Social Changes in America: The Silent Cinema Frontier and Women Pioneers by Alicia Inge Peng

“…This study examines 23 American silent films that have often been overlooked and rarely studied, whereby film analysis generally aligns with established feminist silent film theories. By shedding light on a previously overlooked film directed by May Tully, this study challenges the widespread belief that there existed “no women directors in 1925”. …”
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Introduction. Une approche «relationaliste» by Valentina Re

“…This, togeth- er with the general indifference of film studies to Genette’s last works (in the fields of narra- tology, poetics and aesthetics) is linked, in the second part of the essay, to a broader crisis concerning both literary and film theories and the notions of “cinema” and “film culture,” as they have been conceived in the 20th century. …”
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Apparatus as Content: The Performativity of Technology and Yugoslav Experimental Film by Petra Belc

“…The central objective of this article is to juxtapose the experimental film theories and practices of the democratic, capitalist West and those of socialist Yugoslavia, hoping that the results of this parallel reading might open up further research prospects. …”
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Study on influence of ambient temperature on biaxial stress and strength of flexible inflatable wing film by Longbin Liu, Fan Hu, Zhenyu Jiang, Ting Liu, Yonggang Xu

“…Keywords: Biaxial tension, Flexible inflatable wing, Strength, Stress, Thin film theory…”
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Formulating a ‘cinematic listener’ for John Zorn’s file card compositions by Maurice Windleburn

“…To delve deeper into the visuo-cinematic qualities of Zorn’s file card compositions, an idealised cinematic listener will be constructed, aided by various psychological, semiotic, philosophical and film theories. I will suggest that a listener occupying a hypnogogic state projects moving images, akin to those of cinema, onto what Bernard Lewin first called a ‘dream screen’. …”
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Turning Older Women’s Life Stories into Hypermedia: Reflections on the Production of Feminist Creative Analytic Practices by Kimburley Wing Yee Choi, Anita Kit Wa Chan, Annie Hau Nung Chan

“…Through referencing feminist postconstructionist CAP, Deleuzian rhizomatic narrative inquiry, and feminist film theories and films, our project – consisting of reflexive writing experiments and re-enactment of 43 older Hong Kong women’s life stories in hypermedia – contributes to this expansive knowledge. …”
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Adapting the Grimms: Going Against Patriarchy in Singh’s Movie Mirror Mirror by Huda Abdullah Abdulateef Al-Hassani

“…And thus, this paper is an analytical study of Mirror Mirror that used the analytical textual and production approaches to popular culture along with the Marxist and feminist film theories to unfold the feminist ideologies prevailed in the movie. …”
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Cinematic innervation: the intuitive form of perception in the distracted perceptual field by Sungyong Ahn

“…This article aims to contextualize this physiological term's cultural, technical, and political implications within various discourses about perception from the late 19th century physiologies to early 20th century film theories. Benjamin considers the tactility of people's potential to reconstruct the optical scheme of perception from the “flatness of screen” in which distances between viewers and perceived objects collapse. …”
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A companion to classical receptions / by Hardwick, Lorna, Stray, Christopher

Transcending gender roles : female empowerment in game of thrones by Lee, Siao Shuan

“…The next section of the paper will examine the commercial aspect of GOT as a television series, engaging film theories such as “the male gaze”, the media’s portrayal of women on television, and discussions pertaining to the fundamental problem of female nudity. …”
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