Documentary Fictions: Jacques Rancière and the Problem of Indexical Media by Konstantinos Koutras

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Suzuki Seijun and Postwar Japanese Cinema, by William Carroll. Columbia University Press, 2022, 286 pp. by David Franklin

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Mediating Gesture in Theory and Practice by Ana Hedberg Olenina, Irina Schulzki

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Image Pragmatics and Film as a Lived Practice in the Documentary Work of Hani Susumu and Tsuchimoto Noriaki by Justin Jesty

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Modelling Studies on Reactive Absorption of Carbon Dioxide in Monoethanolamine Solution from Flue Gas in Coal Based Thermal Power Plants by Tanmay Singhal, Sampatrao D. Manjare

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Between Documentary and Dastavezi: A Slow-Paced Approach to Theorizing Transnational Film-Practices by Max Kramer, Jürgen Schaflechner

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Hollywood culture: Portrayals of romantic interactions and gender tropes pre- and post-sexual assault awareness movements of the 21st century by Guertin, L.

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Dasein and the Question of the Heterogenous Film Viewer: A Commentary on Loht’s Heideggerian Phenomenology of Film by Annie Sandrussi

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The visual poetry in the film criticism of Ángel Fernández-Santos by José Antonio Planes-Pedreño, Pedro Luis Pérez-Díaz

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Feelgood i generne – Dramaserien Himmelblå mellem biologi og ideologi by Søren Birkvad

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Men’s Cinema: Masculinity and Mise en Scène in Hollywood, by Stella Bruzzi (2013) by Ian Murphy

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Nikos Kazantzakis’ Unshot Adaptations of Don Quixote and Decameron by Panayiota Mini

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Killing the Buddha: Ritualized Violence in Fight Club through the Lens of Rinzai Zen Buddhist Practice by Gregory Max Seton

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Inter-phase Mass Transport: Modelling of Air-water Movement of Organic Chemicals by Darryl Hawker, Benjalak Karnchanasest

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Rebooting Trafficking by Nicholas de Villiers

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Screen Memories: A Video Essay on Smultronstället / Wild Strawberries by Catherine Grant

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Inter-phase Mass Transport: Modelling of Air-water Movement of Organic Chemicals by Darryl Hawker, Benjalak Karnchanasest

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FCJ-176 A Skeuomorphic Cinema: Film Form, Content and Criticism in the ‘Post-Analogue’ Era by David H. Fleming, William Brown

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Authorship and the Films of David Lynch: Aesthetic Receptions in Contemporary Hollywood, by Antony Todd by Deborah Mellamphy

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Immagini femminili e ideologia patriarcale = Female images and patriarchal ideology by Sarah-Hélène van Put

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