Flora Nwapa's Efuru and toxic masculinity in Igbo Nigerian society by Ojel Clara Anidi

Subjects: “…Flora Nwapa's efuru…”
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Flora Nwapa’nın Kadınlar Farklıdır Romanında Kadın Konusu by Fatma Kalpaklı

Subjects: “…flora nwapa…”
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Barrenness as A Weapon for The Women Oppression in Flora Nwapa’s One Is Enough by Fatima Zahra El Arbaoui

“…The picture made of these childless women in African fiction is so miserable that they are submitted to critical mistreatment and mortification .These women experience the torments of both social and cultural oppression which originate from the patriarchal nature of African societies. Using Flora Nwapa’s novel One is Enough, the article analyzes the repulsive cultural and social stereotypes that threat the attachment, love and satisfaction that ought to have solidified a cheery relationship of married couples. …”
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“Women are Different” by Tathiana Cristina da Silva Anizio Cassiano

Subjects: “…Flora Nwapa…”
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RETHINKING FAMILY RELATIONSHIPS IN THIRD‐GENERATION NIGERIAN WOMEN’S FICTION by Shalini Nadaswaran

“…Third‐generation Nigerian female writers’ representation of gender in local spaces through the rethinking of family relationships reflects a development and change from the first and second generation female writers Flora Nwapa, Buchi Emecheta, and Ifeoma Okoye. In a comparative analysis of Chimamanda Ngozi Adichie’s Purple Hibiscus (2004), Unoma Azuah’s Sky‐High Flames (2005), Sade Adeniran’s Imagine This (2007) and Sefi Atta’s Everything Good Will Come (2005), a distinct pattern emerges of the young girl‐child / woman character developing into a matured, strong womanist. …”
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Fighting for a status : liberation of females in West African society. by Ong, Winifred PeiQi.

“…Flora Nwapa’s Efuru (1966) and Mariama Bâ’s So Long a Letter (1989) address the issues on the female gender in West African society. …”
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Mothers of Africa by Boehmer, E, Boehmer, Elleke Deirdre

“…In its latter half, the thesis looks at African women's writing - novels by Flora Nwapa, Buchi Emecheta, Mariama Bâ and Bessie Head - and the work of a second generation of African writers, considering the ways in which this literature has begun to rescript the dramas of nationalism, to redream its visions of wholeness and healing.…”