Ford Madox Ford’s Parade’s End: Ironising Edwardian England by Isabelle Brasme

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‘Blood, Soil, and Salad’: Ford Madox Ford and the Far Right by Laurence Davies

Subjects: “…Ford Madox Ford…”
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Property and Perception: Husbandry in Ford Madox Ford’s No Enemy and Parade’s End by Lesley Lawton

“…Ford Madox Ford fut petit agriculteur dans la vie et un défenseur des arts horticoles dans son œuvre. …”
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‘TO INHABIT IN TRANQUILITY’: LANDSCAPE, VISION AND EMPATHY IN FORD MADOX FORD’S NO ENEMY by Laura Colombino

“…In Ford Madox Ford’s No Enemy, the mortal threat posed by the war affects the forms and even the possibility of empathy. …”
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L’artificieuse alternative de Ford Madox Ford dans The Good Soldier by Catherine Pesso-Miquel

Subjects: “…Ford Madox Ford…”
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Existential concerns and narrative techniques in the novels of Ford Madox Ford, Virginia Wools and Aldous Huxley by Radojka Verčko

“… The article addresses the issue of the close relationship between the nexistential concem and the narrative techniques used by English writers Ford Madox Ford, Virginia Woolf and Aldous Huxley to present the general human condition. …”
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Ford Madox Ford’s Modernist Trio: A Psychosocial Study of Suicidal Doppelgängers in The Rash Act by Mona Jafari, Maryam Soltan Beyad

“…As one of the most prolific writers of modernist fiction, Ford Madox Ford shared the period’s fascination with suicide. …”
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Culinary civilization: the representation of food culture in Ford Madox Ford, Gertrude Stein and Virginia Woolf by O'Brien, N

“…<p>This thesis addresses the literary representation of food in the period from 1900 through 1945 in the work of Ford Madox Ford, Gertrude Stein and Virginia Woolf. Taking up nineteenth-century fascinations with sensual and aesthetic taste, these authors explore the implications of food preparation and consumption in Britain, America and France. …”

BRASME Isabelle, Parade’s End de Ford Madox Ford : vers une esthétique de la crise by Florence Marie

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Obdachlosigkeit eines Gentleman: Impressionismus der Kriegszeit in Ford Madox Fords Tetralogie Parade’s End (1924–28) by Anne-Julia Zwierlein

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“C’era una volta un gufo”: incanto e disincanto in “The Brown Owl” di Ford Madox Ford by Rosanna Milano

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Joseph Wiesenfarth. Ford Madox Ford and the Regiment of Women. Violet Hunt, Jean Rhys, Stella Bowen, Janice Biala by Christine Reynier

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Nord et Sud : la complexité de leur relation dans Great Trade Route de Ford Madox Ford (1937) by Marine Bernot

“…This very observation gave way to various “meteorological climate theories” which claimed to define the Volkgeist of nations, using archetypes and somewhat uncomplimentary standards, based on the sole climatic criterion. Though Ford Madox Ford did partake in this ideology, setting a clear contrast between North and South based on their distinctiveness throughout History, he also believed that a more prosperous relationship was possible; using the ancient Silk Road as a symbol of this symbiosis, which gathered the nations along its curves thanks to barter. …”
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Ford in Toulon / Toulon in Ford by Max Saunders

Subjects: “…Ford Madox Ford…”
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Labyrinths and Horizons: Textual Space in The Good Soldier by Ellen Levy

“…This study attempts to examine the ways in which two apparently opposed but interpenetrating figures, the labyrinth and the horizon, provide a framework for the organisation of textual space in Ford Madox Ford's The Good Soldier. Exploring occurrences of each of these tropes, from the labyrinthine nature of the narrator's method to the metaphors of sweeping spatiality associated with his hero's amorous experimentations, it suggests that both figures involve movements of expansion and enclosure, of connection and confinement, but that the resulting sense of aporia is mitigated by the energy of narrative pattern-making. …”
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Virginia Woolf’s Dischronic Art of Fiction in her Essays by Christine Reynier

“…Her vision of the impersonal writer, of reading as a moment of openness, of writing and reading as gifts is explored and compared with her contemporaries’, namelyE.M. Forster, Ford Madox Ford, Joseph Conrad, D.H. Lawrence or T.S. …”
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Exceptionality and the unexceptional in Jean Rhys’s interwar fiction by Juliana Lopoukhine

“…Her experimental poetics, which was acknowledged as exceptional by Ford Madox Ford as early as 1927, is characterized by a sense of jaded experience, the juxtaposition of indifferent and even interchangeable places and people, as well as a semantic and syntactic minimalism based on repetition. …”
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The Trauma of Betrayal in The Good Soldier- The Good Soldier’da Aldatılma Travması by Merve SARIKAYA ŞEN

“…This paper proposes a reading of Ford Madox Ford’s The Good Soldier (1915) as a trauma narrative with its different aspects of a traumatically affected character, John Dowell. …”
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‘Interrupted Trains of Thoughts: Modernism and Urban Transport—An Aesthetics of Disruption’ by Maud de Luget

“…Taking Ford Madox Ford’s Soul of London (1905) as a starting point of an author’s impression of London in the early 20th century, and focusing then essentially on E. …”
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May Sinclair’s Literary Criticism: A Commitment to Modernity by Isabelle BRASME

“…Although May Sinclair’s work has tended to be relegated to the periphery of modernism, Sinclair entertained close relationships with many major modernist figures such as Ford Madox Ford, Ezra Pound, and Rebecca West. A prolific novelist, Sinclair also wrote extensively on ways in which literature could participate in the modern movement, from the Brontë sisters to the Imagist poets, and is perhaps best known for first applying William James’s metaphor of the “stream of consciousness” to literary technique in her analysis of Dorothy Richardson’s first three instalments of Pilgrimage. …”
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