French art and architecture [slaid]

Miserabilism in French Art of the 1940s-1960s. To the Origin of the Concept by Bunkevich Daria A.

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«European Home» Concept seen in French Art and Culture (on the Example of M. Houellebecq’s Work) by A. A. Korolev

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Ideal beauty in late eighteenth- and early nineteenth-century french art and art criticism with special reference to the role of drapery and costume by Gatty, F

“…<p>Scholarly attention to late eighteenth- and early nineteenth-century French art has focused on the importance that Johann Joachim Winckelmann attributed to the male nude figure in his definition of ideal beauty, and the impact of his work on debates over the 'beau idéal' in French art and art criticism. …”

In the Artist's Studio with L'Illustration by Esner, Rachel

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An artistic architectural modernity: past and tradition in Liu Jipiao’s decorative architectural design in the late-1920s China by Lina Sun

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Rewolucja i reakcja by Francis Haskell, Michał Mencfel

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“Inner light”. Stained glass in contemporary French sacred art – an overview by Agnieszka Kluczewska-Wójcik

Subjects: “…20th- and 21st-century french art…”
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‘The Persistence of Nationalism’: Michela Passini, La fabrique de l’art national: Le nationalisme et les origins de l’histoire de l’art en France et en Allemagne 1870-1933. Paris,... by Matthew Rampley

“…It emphasises the importance of Passini’s work on casting light on the neglected field of French art historiography, and the striking parallels it throws up between the two countries. …”
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The writings of Walter Sickert and the new art criticism by Lazarides, M

“…The younger generation of English painters was looking towards France for its ideas, and an examination of the New Art Criticism reveals the influence of French art criticism. Sickert’s earliest art criticism is largely unknown but examined here, in the context of the other New Critics, it reveals the full extent of his understanding of French art and the significance he attached to the subject matter of paintings. …”

Une école de la maturation ? by Jérémie Vandenbunder

“…In French art schools, temporality is obviously an issue for students and teachers alike. …”
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A note on Loewe-Marchand's Soul of Mhyrra (Madrid, Galería Nicolás Cortés) by Lorenzo Bartoli

“…The beutiful frontale nude depicted by Loewe Marchand, though, is also n explicit reaction to Dore’s Myrra, becoming, in this way, a painting which trscend the academic to involve the french art tradition of the XIX century, from Delacroix to Rodin. …”
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Traumatic Analepsis and Ligne Claire in GB Tran’s Vietnamerica by Harriet Earle

“…While discussing his father’s imprisonment at the hands of the Vietnamese Government, Tran uses heavy black art before ‘flashing back’ into his father’s past, all of which is drawn in a style highly reminiscent of Ligne Claire.The high contrast of Tran’s two artistic styles is especially interesting when we consider that he is trying to recreate a traumatic experience told in analepsis and also when we remember the French occupation of Vietnam and, invariably, the influence of French art on Tran’s father. Why does Tran use this iconic style for the flashback? …”
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François Morellet et la scène géométrique française des années 1950 : du formalisme à la formativité. by Roxane Ilias

“…Self-taught and based in Maine-et-Loire (western France) but not isolated from the French art scene, he drew on non-Western abstract sources, the new generation of foreign artists active in Paris and the geometric art of his time for his minimal, restrained painting, generated by elementary, playful “systems”. …”
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ORGAN MUSIC DURING THE FRENCH REVOLUTION OF 1789 by Noémi MIKLOS

“… The following work contains information regarding the French art of organ music during the French Revolution of 1789. …”
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ORGAN MUSIC DURING THE FRENCH REVOLUTION OF 1789 by Noémi MIKLOS

“… The following work contains information regarding the French art of organ music during the French Revolution of 1789. …”
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The Florentine Revival of Late Nineteenth-Century French Sculpture by Vermot, Federica

“…This revival provided French art with a new generation of successful sculptors and inspiring works that eventually lead to the unprecedented – and short-lived – triumph of sculpture at the Exposition Universelle of 1878. …”
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Anachronism in the writing of History: ¿Error or Possibility? Some reflections about the concept of time in Carlo Ginzburg, Marc Bloch and Georges Didi-Huberman by Maria Eugenia Chaves Maldonado

“…The Italian historian Carlo Ginzburg and the French art historian Georges Didi-Huberman are among those engaged in this debate. …”
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Some Observations on the Stained Glass Panels by Stanisław Wyspiański and Józef Mehoffer in the Western Window of St Mary’s Church in Kraków by Tomasz Szybisty

“…It also discusses the ideological and artistic questions connected with this set of designs, including the allusions to Veit Stoss sculpture and French art.…”
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Violences sexistes et sexuelles en École d'art by La collective d'enseignantes, H·Alix Sanyas

“…A guide to know what to do in cases of sexual and gender-based violence (SGBV) in French art schools. The guide gives legal tools to all victims and/or people wishing to help report situations of sexual harassment or assault. …”
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