Karya Karawitan Baru Manikam Nusantara by I Nyoman Kariasa, I Wayan Diana Putra

“… “Cintailah warisan, pelajari dan kembangkan yang baru”, merupakan kredo Vincent McDermoth yang dijadikan arah pola pikir penciptaan karya karawitan baru. Gamelan Semaradhana sebagai sebagai sebuah orkes tradisi karawitan Bali dengan spesifikasinya dipelajari dan dipahami secara seksama serta mendalam. …”
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Factors that Influence Students' Choice of the Most Preferred Instrumental Ensemble in Selected Schools in Klang Valley by Lee, Yoke Fun

“…Whereby, the nature of the instrument factor has significant influence on the students' choice of the gamelan, keyboard and the konlpang ensemble as the most preferred instnunental ensemble. …”
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Mesyuarat Pengurusan : kertas kerja bil. 5/94/95 (1-13), 20 Oktober 1994 by Universiti Teknologi Malaysia. Canselori

“…Hadiah dan insentif bagi penerima Anugerah Khidmat Cemerlang 1993 -- 8. Pembelian peralatan gamelan UTM, K.L. -- 9. Kewujudan dan peranan unit-unit sokongan akademik di UTM -- 10. …”

Kesenian Wayang Pada Masa Klasik Di Jawa by Rita Istari

“…Kemudian dari Kakawin Bharatayudha dapat diketahui bahwa pertunjukan wayang tersebut sudah diiringi dengan gamelan dan sebagainya walaupun belum selengkap seperti sekarang. …”
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BENTUK SAJIAN TARI SRIKANDHI CAKIL by Dwi Maryani

“…Srikandhi Cakil dance has the theme of heroism using antawecana (dialogues) and tembang (Javanese songs). Javanese gamelan is used to accompany the dance and at the beginning the accompaniment is ada-ada, Srepeg, ketawang teplek, and then the second srepek, and ada-ada jugag is used before dialogues. …”
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SEKALA NISKALA: Realitas Kehidupan Dalam Dimensi Rwa Bhineda by I Ketut Ardana

“…It used cross culture concept asmusic applications thatcollaborate between the kwartets and gamelan luwang. It consists of three compositions are: Sekala,Niskala, and Ananda.Purpose of thismusic are: 1) gift knowledge to society obout the sekala niskala concept; 2) interpretations sekala niskalaworldin symbols, such as: tones andmelodys; 3) doing develop to traditionalmusicwith “nowdays creativityâ€; 4) result the newmusic. …”
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Keterikatan antara sajian gending dan proses pencapaian ndadi pada pertunjukan jathilan by Muhammad Nur Salim

“…Dalam proses transisi dari kondisi normal menuju ndadi, musik gamelan yang digunakan untuk mengiringi tarian jathilan menjadi salah satu elemen yang mendukungnya. …”
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GENDER WAYANG DALAM MESANGIH by I Ketut Yasa

“…Gender wayang is one of Balinese gamelan instruments made of bronze which has ten keys and five notes in slendro tuning. …”
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Kesenian Wayang Pada Masa Klasik Di Jawa by Rita Istari

“…Kemudian dari Kakawin Bharatayudha dapat diketahui bahwa pertunjukan wayang tersebut sudah diiringi dengan gamelan dan sebagainya walaupun belum selengkap seperti sekarang. …”
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Preliminary Remarks on a Helical Representation of Time by McGraw, Andrew

“…Examples from the Balinese gamelan repertoire serve as the principal examples. …”
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Prototyping AR EduGame for children: learning Indonesian culture by Sudarmilah Endah, Supriyono Heru, Fadlilah Umi, Yasin Al Irsyadi Fatah, Fatmawati Azizah

“…The AR EduGame prototype and its testing results are run appropriately, system testing show that every button and transition for both AR EduGame applications, traditional dance and gamelan. Morover, it can be implemented by elementary school children.…”
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Kosmologis Tetabuhan dalam Upacara Ngaben by I Nyoman Cau Arsana, G. R. Lono L. Simatupang, R. M. Soedarsono, I Wayan Dibia

“…Suara yang dijadikan dasar dari nada-nada gamelan Bali adalah suara (bunyi) yang keluar dari alam. …”
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DIALEKTIKA KESENIAN JARANAN THEK DI PONOROGO DENGAN ISLAM by Ahmad Choirul Rofiq, Erwin Yudi Prahara

“…There are many innovations to preserve Jaranan Thek, such as inserting the story of Kelono Sewandono (from Bantarangin Kingdom) with Dewi Songgolangit (from Kediri Kingdom); performing various songs (with shalawatan, Javanese song, Campursari, and popular songs); using modern musical instruments (drums and electric organs) besides gamelan (traditional music instruments); combining Jaranan Thek with other arts (tayuban and jathilan), and synchronizing Jaranan Thek with Islam (Islamic prayers, verses, and sayings). …”
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The Effect of Computer Gaming on Subsequent Time Perception by Stefanie Luthman, Thomas Bliesener, Frithjof Staude-Müller

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Aspek Musikologis Gêndér Wayang dalam Karawitan Bali by I Ketut Yasa

“…Penelitian ini bertujuan untuk mengidentifikasi pola permainan gamelan atau gender wayang pada pertunjukan wayang Bali. …”
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Urban Tourism of Yogyakarta by Soekadri Soekadri

“…Malioboro has been growth over the world, and being the first nesessary objet for paying attention beside the other tourism object as an old Cina building, old Europe building, and Javanese traditional houses also classical Javanese musi (gamelan) and dancing, and not to be forgotten is the special various Javanese food (gastronomi). …”
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REMBANG DAN BUMBANG by I Nengah Muliana

“…That way, I can know what things are, who contributed so Rembang successfully create new gamelan Bumbang named. To obtain the necessary data, the authors use some method such as: observation, interviews, audio visual recordings, as well as in writing, either in the form of books and others. …”
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IDENTIFIKASI FITUR MELODI GENDING LANCARAN BERDASARKAN PENGENALAN POLA NOTASI by Arry Maulana Syarif, Khafiizh Hastuti

“…</em></p> <p><em> </em></p> <strong><em>Kata Kunci :</em></strong><em>pola notasi, apriori, gamelan, gending</em>…”
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Jejak Seni Pertunjukan dalam Hikayat Banjar: Silang Budaya Jawa dan Banjarmasin by Naufal Anggito Yudhistira

“…From a musical point of view, gamelan in Hikayat Banjar is closely related to the karawitan tradition in Javanese courts. …”
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Feminism in song of jineman kenya ndesa laras slendro pathet sanga by Sukesi Rahayu, Katrhryn Emerson, Phakkharawat Sittiprapaporn

“…Abstract Feminism in Sukesi Rahayu's Jineman Kenya Ndesa laras slendro pathet sanga is a study that reviews feminist discourses on the creation of gamelan music based on the issues of gender equality between women and men. …”
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