Genre Painting and the World's Kitchen by Polyxeni Potter

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Genre Painting and Portraiture: On the Boundary Between Genres by Samokhin Aleksandr

Subjects: “…genre painting…”
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The (Re)birth of Genre Painting during the Danish Golden Age by Lægring, Kasper

Subjects: “…Frederik Christian Sibbern. Genre painting. Henrik Hertz. Iconography. Romanticism. …”
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Ariane van Suchtelen, Quentin Buvelot et al. Genre Paintings in the Mauritshuis, The Hague by Eddy Schavemaker

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Ariane van Suchtelen, Quentin Buvelot et al. Genre Paintings in the Mauritshuis, The Hague by Eddy Schavemaker

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Painting by numbers: case studies in the economic history of nineteenth-century landscape and rural genre painting by Greenwald, D

“…In particular, landscape and rural genre painting became more prominent. Scholars have argued that the socioeconomic changes caused the artistic ones. …”

Ut pictura poesis: Ekphrasis, Genre Painting and Still Life in Virginia Woolf, Margaret Atwood and Alice Thompson by Ciobanu Estella

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The Influence of Dutch Genre Painting in Emblematic Prints: Jan Luyken’s <i>Des Menschen, Begin, Midden en Einde</i> (1712) by Sooyun Sohn

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Le corps dans la peinture narrative des xvie et xviie siècles à travers l’exemple du Bunshō zōshi by Delphine Mulard

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Lotta Nylund, Alexander Lauréus genremålningar och den tidiga romantikens visuella kultur (Helsingfors: Humanistiska fakulteten vid Helsingfors universitet, 2023). 428 s. by Christopher Landstedt

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‘A troublesome “genre”? Histories, definitions and perceptions of paintings of everyday life from early nineteenth-century Ireland‘ by Mary Jane Boland

Subjects: “…genre painting…”
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The genre of everyday life by Tzvetan Todorov

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Tableaux and Melodramatic Realism by Williams, Carolyn

Subjects: “…Douglas Jerrold. Genre painting. Leopold Lewis. Melodrama. Metatheatricality. …”
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Images de l’oubli de soi: les scènes de genre de Greuze et de Chardin by Erzsébet Prohászka

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On “Real Truth” and “Higher Truth” in the Art Criticism of F. M. Dostoevsky by Olga N. Smyslova

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À la rencontre des Égyptiens contemporains dans les récits de voyage en français au tournant du siècle (1890-1914) : De l’Orient rêvé à l’Orient politique by Daniel Lançon

“…If from the 19th century onwards, the travel genre was characterised by the expression of the narrator’s subjectivity, the present article examines the way in which certain travellers of the following century, such as Maurice Barrès, Édouard Schuré and Pierre Loti, were able to shift their focus and meet the Egyptians beyond Genre Painting. Without seeking any kind of poetic renewal, these authors seek to achieve a discourse with a generalizing scope. …”
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Another Life (1972), de Derek Walcott, ou les lettres du mal-voyant by Kerry-Jane Wallart

“…These verses of an unfit seer quickly veer towards a tribute paid to a genre, painting, which is not so much opposed to poetry as made to echo it through graphics which, in Rimbaldian fashion, take on colours.…”
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THE PROTRACTED PORTRAIT OF A LADY: EIGHTEENTH-CENTURY CARICATURE PORTRAIT NEGOTIATIONS by Mihaela Irimia

“…In its historical embeddedness of the same kind and character as genre painting and the novel, the caricature portrait confirms the Blumenberg-Löwith debate on the (il)legitimacy of modernity, or what I call “the collapse of the isomorphic model”. …”
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LE PARADOXE DU CRITIQUE D’ART: LA TENSION ENTRE PATHÉTIQUE ET IRONIE DEVANT LES TABLEAUX TOUCHANTS [PARADOX AS THE CRITIQUE OF ART: TENSION BETWEEN PATHOS AND IRONY OF THE “TOUCHIN... by Nadège Langbour

“…When Diderot turns to describe Greuze’s canvases or genre painting of J.-B. Le Prince or P. A. Baudouin, he finds himself within the framework of sentimental rhetoric related at once to the pathos of the painted scene and to the sensations of the viewer. …”
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Study and restoration of the costume of the HuoLang (Peddler) in the Ming Dynasty of China by Zhu Chun, Gao Yuanyuan, Wang Jianping, Zeng Xianyi, Bruniaux Pascal, Liu Kaixuan

“…This study looks at two aspects of ancient Chinese genre painting to interpret the more realistic ancient shopping scenes in the painting of the peddler in spring scenery in the Ming Dynasty, namely, the Ming spring scene and the characters’ costume image features. …”
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