Irving Penn au Grand Palais by Camille Rouquet

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Hergé, catalogue de l'exposition au Grand Palais by Samuel Bidaud

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[Établissement public de la Réunion des musées nationaux et du Grand Palais des Champs-Élysées/Musée Hergé (éds.) Hergé, catalogue de l’exposition au Grand Palais] by Samuel Bidaud

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Canons of Animal Aesthetics. A Report on the Exhibition Beauté Animale, Grand Palais, Paris, France, March 21st - July 16th, 2012 by Eleonora Adorni

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Interview de Didier Ottinger, commissaire de l’exposition « Edward Hopper » au Grand Palais (10 octobre 2012 - 3 février 2013) by Hélène Valance

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Autour de l’exposition du Grand Palais « Mexique 1900-1950. Diego Rivera, Frida Kahlo, José Clemente Orozco et les avant-gardes » by Paul-Henri Giraud

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Enfin le cinéma! Arts, images, spectacles en France (1833 –1907), ed. by Dominique Païni, Paul Perrin, Marie Robert, Paris: Musée d’Orsay / Réunion des Musées Nationaux –Grand Palais, 2021, pp. 331 by Anna Franceschini

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Dvatisoča obletnica Avgustove smrti by Monika Osvald

“…La Rocca), Rim, Scuderie del Quirinale, 18.10.2013– 9.2.2014 in Pariz, Grand Palais, 19.3–16.7.2014. …”
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Dans l’atelier des publics by Sébastien Appiotti

“…Drawing on a corpus of participative mobile applications made available by Rmn – Grand Palais to its visitors between 2012 and 2017, the author examines how the cultural institution has taken into account the “Instagram-ification” of its audiences and how this is reflected in various mechanisms (scenography, signage, digital technology). …”
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Robot Art: An Interview with Leonel Moura by Leonel Moura

“…In the wake of his inclusion in the landmark 2018 “Artists and Robots” show at the Grand Palais in Paris, Leonel Moura reflects herein on his own work and its place within the broad spectrum of techno-art; and of particular current interest is his reliance as an artist on emergent phenomenon—i.e., the ability of relatively simple systems to exhibit relatively complex and unexpected capabilities—which has recently come back into focus with the spectacular ability of the “deep learning” family of computer algorithms to perform pattern recognition tasks unthinkable only a few years ago.…”
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Citation et autocitation dans la peinture de Greco by Guillaume Kientz

“…Starting from the very project of the great Greco retrospective (Grand Palais, Paris), the main topic here is to evoke, in a diachronic way, the unique course of Greco, in order to highlight his singular initiatory path of formation which led him to invent his palimpsest painting in which the moderns and the avant-garde recognized themselves. …”
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Drawing in the Digital Age: Observations and Implications for Education by Seymour Simmons

“…This paper looks at recent examples of how drawing is advancing into the digital age: in London: the annual symposium on Thinking Through Drawing; in Paris: an exhibition at the Grand Palais, Artistes et Robots; a conference at the Institut d’études avancées on Space-Time Geometries and Movement in the Brain and in the Arts; and, at the Drawing Lab, Cinéma d’Été. …”
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Institutions culturelles et réseaux sociaux numériques by Camille Rondot

“…Cet article, en partant du cas de deux institutions françaises parisiennes, le Grand Palais et le musée Jacquemart-André, s’intéresse à la façon dont ces dernières ont alors investi les réseaux sociaux numériques (RSN). …”
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Viollet-le-Duc is back by Bérénice Gaussuin

“…One of them is a big monographic exhibition in the Grand Palais in Paris. These two Parisian events are the milestones of a “Viollet-le-Duc time” and were the opportunity of monographic researches on his work. …”
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ATMINTIES PAREIGA IR ŠIUOLAIKINIS MENAS: CHRISTIANAS BOLTANSKIS IR JOCHENAS GERZAS by Valérie Etter

“…Paryžiuje) darbus „Rezervai“ (1990) ir „Asmenys“ (2010, eksponuota Paryžiaus Grand Palais), kalbančius apie būtinybę užkirsti kelią visuotinei amnezijai. …”
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PHOTOGRAPHER-FRIENDLY WORK-FLOWS FOR IMAGE-BASED MODELLING OF HERITAGE ARTEFACTS by N. Martin-Beaumont, N. Nony, B. Deshayes, M. Pierrot-Deseilligny, L. De Luca

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On Tate Modern’s Turbine Hall and 'The Unilever Series' by Wouter Davidts

“…Only recently, Paris announced its own yearly art commission for the central nave of the Grand Palais, suitably entitled Monumenta. The essay examines The Unilever Series in Tate Modern’s Turbine Hall, and discuss it within the global leap in scale and massive expansion of the art and museum world, of which the London institution and its vestibule in particular are the most blatant exponents. …”
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Livres d’or d’expositions artistiques : sur la trace des « accusés-réception » de la connaissance transmise (textes et œuvres exposés) by Marina Krylyschin

“…A partir d’un corpus constitué des textes de trois expositions (Renoir au XXe siècle au Grand Palais (2009), La fabrique des images (2011) et Tarzan ! …”
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Lettres inédites a René Demeurisse (1895-1961), placeur au salon de la société nationale des beaux-arts en 1921 by Claire Maingon

“…Il y aurait les élus et les autres, ceux dont les envois plus médiocres finiraient dans les recoins obscurs du Grand Palais. Les archives du peintre conservent notamment trois lettres remarquables d’exposants exprimant leurs désirs d’accrochage qui apportent un éclairage nouveau sur la question du rôle des placeurs. …”
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Visiting Richard Serra’s Promenade sculpture improves postural control and judgment of subjective visual vertical. by Zoï eKapoula, Alexandre eLang, Thanh Thuan eLe, Marie-Sarah eAdenis, Qing eYang, Gabi eLipede, Marine eVernet

“…Richard Serra’s Promenade sculpture featured in the 2008 Monumenta exhibition at the Grand Palais in Paris, France is herein hypothesised to have stimulated the body’s vertical and longitudinal axes as it showcased 5 monumental rectangular solids pitched at a 1.69° angle.Using computerised dynamic posturography we measured the body sway of 23 visitors when fixating a cross, or when observing the artwork (fixating it or actively exploring it with eye movements) before and after walking around and alongside the sculpture (i.e., before and after a promenade). …”
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