The crisis of the «gran macchia»: Bigongiari’s Guercino by Daniele Benati

Subjects: “…giovanni francesco barbieri known as guercino…”
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Marketing and Self-Promotion in Early Modern Painting: The Case of Guercino by Daniel M. Unger

Subjects: “…Guercino…”
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La Madonna del passero di Guercino. Problemi di esegesi visiva e simbolismo degli uccelli / Guercino’s Madonna of the Sparrow.... by Francesco Sorce

“…This essay examines the Madonna of the Sparrow by Guercino, mostly from the iconographic point of view. …”
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I manuali dell’accademia del Guercino: una selezione in vista di un progetto più ampio by Leonardo Masone

Subjects: “…guercino…”
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Guido Reni’s Crucifixion of St. Peter: Style, Iconography and Fortune by Stefano Pierguidi

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Roberto Fontana art agent in Milan and the collection of Francesco I d’Este by Odette D’Albo

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The collection of Sampieri family: from dispersion to denial and desirable development by Marinella Pigozzi

“…They will be sold to prince Eugenio Napoleone for only 27.777,50 lire.The frescoes from Carracci remain above the chimney vanishing and vaulted ceilings in the Bologna’s palace, remains the amazing Guercino’s Ercole fights with Anteo too. Guercino shows us a representation almost tangible of Ercole’s effort to victory on the Giant, summoning the ancient sculpture sublime.As we have seen, the mobile artworks are no longer in Bologna. …”
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Beyond the catastrophe. The reopening of the Gallery of Modern Art ‘Aroldo Bonzagni’ after the earthquake by Giuseppe Virelli

“…In addition to damage to roads, houses, offices and other structures, the library, the Borgatti Theater, the Vitali Gipsoteca, the famous Civic Picture Gallery dedicated to Guercino and the Gallery of Modern Art were also seriously damaged. …”
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“Susana y los viejos” en la pintura barroca y su resignificación desde una perspectiva de género en las expresiones artísticas de los siglos XX y XXI by Florencia María Martini

“…XVI-XVII), a través del análisis de la obra “Susana y los viejos” de Tintoretto (1560/65), Artemisia Gentileschi (1610) y Guercino (1617), pinturas que representan una escena del Antiguo Testamento (Daniel 13), para luego examinar las resignificaciones producidas en los siglos XX y XXI, que invierten las representaciones sociales de los siglos XVI-XVII, en la obra de Pablo Picasso (1955), la performance “Ablutions” (1972) -llevada a cabo por Suzanne Lacy, Judy Chicago, Sandra Orgel, Jan Laster y Aviva Rahmani- y, finalmente, en la obra inédita de un artista local, Pablo Martini (2012). …”
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