« I’m British but… » (Gurinder Chadha, 1989) : les communautés indopakistanaises dans le cinéma britannique des années 1980 à nos jours by Anne-Lise Marin-Lamellet

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21H.153J / SP.421J / WMN.421J Race and Gender in Asian America, Fall 2002 by Chung, Emma Teng

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21H.153J / SP.421J / WGS.421J Race and Gender in Asian America, Fall 2002 by Anonymous

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Familiarisation et dé-familiarisation : la figure de l’« étranger » dans la comédie indo-britannique by Amandine Ducray

“…This article, which focuses on three British-Asian comedies – East is East (Damien O’Donnell, 1999; screenplay by Ayub Khan Din), Bend It Like Beckham (Gurinder Chadha, 2002) and Bride and Prejudice (Gurinder Chadha, 2004) – aims, through a comparative analysis, at highlighting common discursive and iconographic trategies. …”
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More than meets the eye: reconstructing women in women’s cinema. by Nurul Musfirah Abdul Talib.

“…In this paper, I have attempted to discuss the ways in which Gurinder Chadha and Mira Nair have made use of editing and camera techniques to put forth the concepts of “subjectivity, desire and visual pleasure” that have introduced and legalized the female spectatorial desire, undoing the hetero-normative stereotypes so that women are no longer merely “the image”, for they are now regarded as the essential and not the “Other”.…”
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Depicting Desperation, Fanhood and Commitment in the British Movie Blinded by the Light (2019) by Khaled CHOUANA

“…This article examines the representation of the life of the British journalist Sarfraz Manzoor in the biographical film Blinded by the Light (Gurinder Chadha, 2019). The aim is to examine the different procedures used by the film director to portray the boyhood of Manzoor who finds salvation in the music of Bruce Springsteen. …”
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Adaptation or Historical Anomaly?: Partition Narratives and Their Visual Counterparts by Ayesha Akram

“…The research sets out to explore the extent to which these overreaching accounts and wide-ranging versions of the partition empower the concerned entities to give subjective meanings to their partition experiences. Gurinder Chadha’s film Viceroy’s House (2017), which is partly based on the memoirs of Louis Mountbatten, documented in Freedom at Midnight by Larry Collins and Dominique Lapierre (1976) is taken as the case study, with reference to its source text. …”
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