Structural Analysis of Jami’s Haft Awrang Figures in Sultan Ibrahim Mirza Art Workplace by Maryam Aziminezhad, Alireza Khaje Ahmad Attari, Samad Najarpour Jabbari, Bahareh Taghvanejad

“…The present paper aims at investigating the figures of one of these beautiful manuscripts, i.e. Jami’s Haft Awrang version preserved at Freer Museum in Washington. …”
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Comparative Study of Covers- "Sarpoosh-ha" with "Asemaneh-ha"-Depicted in Safavid Paintings with Emphasis on Gender (Case Studies: Rashida and Jami's Haft-Awrang) by azita belali oskui, milad tabaghchi

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Explaining the concept of the Lord’s argument in Surah Yusuf and its manifestation in Yusuf and Zulaikha of Jami and Kamal al-Din Behzad’s painting by Parima mirlohi

“…Objective: The present study aims to study the Quranic term “the Lord’s argument” in the Holy Quran and Haft Awrang of Jami and comparing them with Behzad’s painting. …”
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Notes on Musical Imagery in the Poetry of Jāmi by Dal Bianco, Alessia

“…To probe further into the elements of musical imagery, I scanned through his maṯnavis Haft awrang (The Seven Thrones) in search of lines dedicated to musical modes, instruments, and performers. …”
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A Comparative Study of the Narrative of “Joseph” in Holy Texts, Persian Literature and Iranian Miniature Painting by zahra fanaei, marzieh golabgir esfahani

“…In the analysis method, first the religious texts and their processing method are examined according to the narration, and then these processing methods, in each of the sources of Torah, Qur'an, Haft Awrang, Behzad's drawing and Farshchian's paintings, are analyzed and matched.The results show that the use of sub-narratives, changes in narrative style at different times, the effects of society on narration at different times, the influence of the author and the pattern of time on the effect and its impact on society make it widely used in the arts, especially in the contemporary arts. …”
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Introducing the Version of Nezami's Khamseh Registered under NO. 5/39 in the Malek National Museum and Its Visual, Aesthetic and Thematic Features by Erfan Safari, ilnaz rahbar

“…This art has a close relationship with the illustration of mystical books and texts and has always portrayed the mystical manifestations of poets and mystics in a special way and exposed them to viewers. Examples include Haft Awrang of Jami, Divan of Hafiz, and Bustan of Sa’adi, but among all these, Nezami’s Khamseh has a special status.Khamseh is a collection of five books of poetry, also known as Panj Ganj (The Five Treasures). …”
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The Typology of Metalwork in the Safavid Miniatures (907-1135 AH) by Samira Seifali, Mehdi Keshavarz Afshar

“…Then 23 samples were purposefully selected from the manuscripts from the 10th and the 11th centuries, including Shahnameh Tahmasebi (931 A.H.), Khamse Tahmasebi (931 A.H.), Khamsa (Quintet) by Nizami (946 A.H.), Divan by Amir Hasan Dehlavi (939 A.H.), Manuscripts from Qazvin – Mashhad school (second half of the 10th century) such as Haft Awrang (Seven Thrones) by Jami (964 A.H.), Shahnameh Shah Ismail II (984 A.H.),  also the manuscripts from  Habib al-Sayr (early 11th century), Bostan Sa’di (11th A.H.),  as well as single copies of the Isfahan School. …”
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