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    A dance on contrasting platforms: African tradition and revolutionary aesthetics in Esiaba Irobi’s plays

    A dance on contrasting platforms: African tradition and revolutionary aesthetics in Esiaba Irobi’s plays by Leon Onyewuchi Osu

    Published 2017-05-01
    “…In Esiaba Irobi’s Hangmen Also Die (1989) and Nwokedi (1991), we see this “blood thirsty tension” fully and boisterously, if psychoanalytically, dramatised. …”
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