Birnbaum‘s “Baroque Principle” and the Czech reception of Heinrich Wölfflin by Jindřich Vybíral

Subjects: Get full text

Architectural Symbolism: Body and Space in Heinrich Wölfflin and Wilhelm Worringer by Vlad Ionescu

“…The paper questions Jacques Rançière’s conception of the modern aesthetic regime as the correlation between visuality and language by returning to two fundamental figures of modern art history, Heinrich Wölfflin and Wilhelm Worringer. First, Wölfflin’s '“Prolegomena”' (1886) is interpreted as an attempt to conceive architectural space in terms of affectivity. …”
Get full text

‘”An appendix of manageable proportions”: Heinrich Wölfflin and Hans Rose between Baroque Studies and National-Socialism by Arnold Witte

Subjects: Get full text

Heinrich Wölfflin, How one should photograph sculpture: a translation of his articles of 1896-7 and 1915 by Johnson, G, Wölfflin, H

Colore solo. Le valenze cromatiche di “painterly” e “post painterly” nell’estetica di Clement Greenberg by Marcello Sessa

Subjects: “…Clement Greenberg, Heinrich Wölfflin, Modernism, Painterliness…”
Get full text

Hans Rose, Commentary to Heinrich Wölfflin, Renaissance and Baroque, fourth edition, Munich: Bruckmann, 1926, 181-328, translation by Arnold Witte and Andrew Hopkins by Arnold Witte, Andrew Hopkins

“…The Commentary by Hans Rose was published as an appendix to the fourth edition of Heinrich Wölfflin’s Renaissance und Barock - eine Untersuchung über Wesen und Entstehung des Barockstils in Italien, published in 1926. …”
Get full text

Estilo acá y allá by Carola Berenguer

Subjects: Get full text

Barok powracający w „Psie andaluzyjskim” Luisa Buñuela. Notatki drugie, poprawione by Grzegorz Nadgrodkiewicz

Subjects: Get full text

Linee per una morfologia della storia: gli orizzonti metodologici e disciplinari della ricerca storica da Heinrich Wölfflin a Ernst Cassirer by Michele Bertolini

“…This essay aims to point out how the morphological tradition as well as the works of Heinrich Wölfflin concerning the history of fine arts plays an important role in Cassirer’s definition of the Logic of Humanities and, specifically, of the historical object and its related methodology. …”
Get full text

Dogmatica e «criteri basilari» della storia dell’arte by Luca Vargiu

Subjects: “…Emilio Betti; Heinrich Wölfflin; Kunstgeschichtliche Grundbegriffe; interpretazione tecnica; dogmatica…”
Get full text

The scope and ambition of Izidor Cankar’s “systematics of style by Rebeka Vidrih

Subjects: Get full text

Formal values and the essence of art by Ulrich Pfisterer

Subjects: Get full text

The subject of scientific art history according to Riegl … and his followers by Rebeka Vidrih

Subjects: Get full text

‘From “bad” to “good”: Baroque architecture through a century of art historiography and politics’: Evonne Levy, Baroque and the Political Language of Formalism (1845-1945): Burckha... by Marco M. Mascolo

Subjects: Get full text

‘Hans Tietze and art history as Geisteswissenschaft in early twentieth-century Vienna’ translated by Clarice Zdanski with an introduction by Riccardo Marchi, originally published a... by Riccardo Marchi

Subjects: Get full text

Relationship between the Representative Aspects of Kamal-ol-Molk Style and 1380s and 1390s Iranian Painting Based on Wolfflin's Stylistic System by Hojat Allah Saadatfar

“…The questions raised in this research are: From the perspective of Heinrich Wolfflin's stylistic system, what are the formal components of the Kamal-ol-Molk style in the representational painting of Iran in the 1380s and 1390s? …”
Get full text

On Interference by Lydia Kallipoliti

“…If “we judge every object by analogy with our own bodies,” as Heinrich Wölfflin argues, then Robin Evan’s piezoelectric arthropods and the Boston Dynamic’s robotic mules are disturbing, because they are a type of self-mirroring. …”
Get full text

Reprinting and republishing Wölfflin in the 1920s by Andrew Hopkins

“…The fourth edition of Renaissance und Barock: eine Untersuchung über Wesen und Entstehung des Barockstils in Italien by Heinrich Wölfflin was published by Bruckmann in Munich in 1926 with an additional hundred and fifty pages of new text added to it by Hans Rose. …”
Get full text

” Unframing” Byzantine ivories: painterliness, reliefs, and the place of Byzantine art in early twentieth-century German scholarship by Elisa Galardi

“…It identifies the bedrock of the authors’ observations in Heinrich Wölfflin’s stylistic dialectic and in the critical writings by Adolf von Hildebrand and Aloïs Riegl devoted to the subject of relief. …”
Get full text

Il flusso e il ghiaccio. Del pensiero binomiale nella cultura europea (1865-1923) by Mimmo Cangiano

“…Benché lo schema interpretativo si adatti a settori quanto mai eterogenei (siano queste le conformazioni consociative ‘comunità’ e ‘società’ in Ferdinand Tönnies, le espressioni artistiche di Rinascimento e Barocco di Heinrich Wölfflin, i concetti di ‘anima’ e ‘forma’ del giovane Lukács o quelli di Riforma e Controriforma del Malaparte fascista, ecc.) le caratteristiche assegnate ai rispettivi termini del binomio si ripetono pressoché identiche da un’analisi all’altra. …”
Get full text