Here comes the sun: the era of genetics by Fernando Kok

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Here comes the sun: solar-led green growth in MENA by Walters, J

Here comes the sun: music features of popular songs reflect prevailing weather conditions by Manuel Anglada-Tort, Harin Lee, Amanda E. Krause, Adrian C. North

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Here comes the sun: music features of popular songs reflect prevailing weather conditions by Anglada-Tort, M, Lee, H, Krause, AE, North, AC

Here comes the SUN : a case study of the Stabilizing Urban Neighborhoods Initiative in Boston, Massachusetts by Valle, Brian P. (Brian Philip)

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Here comes the sun: residential consumers’ experience with rooftop solar PV in five Indian cities by Devi, A, Narayan, U, Mandal, T

Palimpsestes ou l’image au second degré : Gail Albert Halaban, Hopper Redux, et Laetitia Molenaar, Here comes the Sun [it is all right] by Helena LAMOULIATTE-SCHMITT

“…Laetitia Molenaar, for her part, constructed an even more elaborate framework in the Here comes the Sun [it is all right] series, in which she staged some of Hopper’s most famous paintings before photographing them in cardboard miniature settings. …”
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The concert for Bangladesh [videorecording] / by Swimmer, Saul

“…Jumpin' Jack Flash ; Youngblood -- Here comes the sun -- A hard rain's a-gonna fall -- It takes a lot to laugh, it takes a train to cry -- Blowin' in the wind -- Just like a woman -- Something -- Bangla Desh -- Disc two--The concert for Bangladesh, 2005. …”

A Constructional Analysis of Obligatory XVS Syntactic Structures by Prado-Alonso Carlos

“…The analysis of obligatory or formulaic XVS structures - as in “Here comes the sun” or “Now is the time to solve our problems” - has been neglected in the literature since it has been argued that there seems to be no linguistic variation involved in the use of these types of syntactic constructions. …”
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“What Will Set Yuh Free is Money” by Charlotte Spear

“…This paper explores sex workers’ rights in post-quake Haiti and contemporary Jamaica, through an examination of Makenzy Orcel’s The Immortals (2020) and Nicole Dennis-Benn’s Here Comes the Sun (2017). Like global debt systems, the exploitation of sex workers relies on a politics of dependency and constructed narratives of victimhood. …”
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