Manifestation of Mariamman: images of a fiery Hindu goddess in Singapore by V Vimal Kumar

“…Rather, she appears as a secondary topic in a wider body of research, thus making this research an important contribution to the domain of Hindu goddess worship in Singapore. Focusing especially on iconographic analysis, I seek to decipher the symbols and narratives which the images of Mariamman encapsulate. …”
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The Young Goddess Who Dances through the Ordinariness of Life―A Study on the Tantric Traditions of Kerala by Maciej Karasinski-Sroka, G. Sudev Krishna Sharman

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Women in the Hindu tradition : rules, roles and exceptions / by Bose, Mandakranta, 1938-

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Two Faces of the Hindu Great Goddess by Nina Petek

Subjects: “…Hindu goddesses…”
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<i>Bloodthirsty, or Not, That Is the Question</i>: An Ethnography-Based Discussion of Bhadrakāḷi’s Use of Violence in Popular Worship, Ritual Performing Arts and Narratives in Cent... by Marianne Pasty-Abdul Wahid

Subjects: “…Hindu goddess…”
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SINGAPORE BLACK / by Gibson, William L., author 645521

“…As Chinese gangs verge on open turf war and powerful commercial enterprises vie for control of the economy, a stolen statue that houses an ancient Hindu goddess becomes the object of a pursuit with a mounting body count, and its seems that everyone is suffering from maniacal erotic nightmares. …”

"Indianisation" of a Roman coin design in Early Historic India: a study of an imitation from the British Museum by Emilia Smagur

“…The Indian form of the building suggests that the figure should be interpreted as a Hindu goddess, possibly Lakshmi, shown in the act of blessing her temple.…”
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Disease, Demon, and the Deity: Case of Corona Mātā and Coronāsur in India by Megha Yadav

“…The emergence of a new Hindu goddess, Corona <i>Mātā</i>/Coronavirus <i>Mardhinī</i> encapsulates people’s fear, faith, and devotion. …”
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Archetypal myth: goddess Durga and the resilient matriarch in Rani Manicka's The Rice Mother by Zamri, Muhamad Lothfi, Zainal, Zainor Izat

“…Indeed, Lakshmi’s resilience has interesting affinity with Durga, a principal form of the Hindu goddess, and it is against this mythological archetype that we frame the reading of the novel. …”
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