Richard David Williams. The Scattered Court: Hindustani Music in Colonial Bengal by Kabir Altaf

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A Study of the Cultural and Musical Structure of Indian Classic Music for Critical Rereading of the Book “The Music of Northern India” by Navid Vaziri

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Music, lyrics, and the Bengali book: Hindustani musicology in Calcutta, 1818-1905 by Williams, R

“…From theoretical treatises to songbooks, literature relating to Hindustani music proliferated in nineteenth-century Bengal. …”

Musical traces of hindustani culture in Malay ghazal by Meddegoda, Chinthaka Prageeth

“…However, today, Malay ghazal practices do not demonstrate obvious Hindustani music elements. Only the adaptation of Hindustani harmonium and tabla imply Hindustani musical appearances and sound to a certain extent. …”
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Animal-cries and Buddhist Meditation: An Appraisal Mainly Based on the Early Buddhist Teachings and Their Exegeses by K Gamage Aruna

“…In addition, the affinity between animal cries and seven basic musical notes in Hindustani music will also be examined. Special attention will be paid to the canonical accounts where the Buddha emphasized the efficacy of flora and fauna, animal cries and music for one’s both secular and spiritual well-being.…”
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Cross-cultural Perception of Musical Similarity Within and Between India and Japan by Hideo Daikoku, Taiki Shimozono, Shinya Fujii, Shantala Hegde, Patrick E. Savage

“…Exploratory analyses showed that ratings from experts in Hindustani music from the north and Carnatic music from the south showed the lowest correlations ( r  = .25). …”
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Technology-Mediated Hindustani Dhrupad Music Education: An Ethnographic Contribution to the 4E Cognition Perspective by Stella Paschalidou

“…This paper examines challenges in embodied facets of video-mediated synchronous distance Hindustani music pedagogy. For this, it takes an ethnomusicological stance and showcases a thematic analysis of interviews featuring Dhrupad music practitioners. …”
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Alternative modernities in the history of Iban popular music from 1950s to 1970s by Lim, Keh Nie

“…Although Iban popular music is a genre appropriated by Western, Malay and Hindustani music forms, I argue that Iban popoular music articulated an alternative modernity for their socio-cultural and political history, allowing the Ibans to respond with a spirit of nationalism while simultaneously negotiating modernity in a new nation. …”
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