Um Auto de Gil Vicente and the tradition of comedy by Earle, T

“…However, critics have had very little to say about this historical drama. There are Romantic elements in the play, but plot and characterization derive very clearly from the patterns established by the Roman dramatist Terence. …”

文化空缺与翻译 ：以《后宫甄嬛传》为例 = Cultural vacancy and translation : a study on the translation of empresses in the palace by 许瑞芳 Khaw, Vivian Rui Fang

“…The author of this paper aims to discuss this particular translation phenomenon, using a popular Chinese historical drama The Legend of Zhen Huan, also known as Empresses in the Palace, as an example to evaluate on the differences in the English and Chinese culture. …”
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社会记忆与身份认同 ：新加坡连续剧《红头巾》案例分析 = Case study of TV series Samsui Women : analysis of the construction of social memory and national identity... by 陈嘉懿 Tan, Jia Yi

“…The Singapore Broadcasting Corporation (now Mediacorp Pte Ltd) produced a 24-episode historical drama serial titled Samsui Women in 1986, and it showed the collective memory formed by the Samsui women in Singapore, which was later then classified as Singapore’s social memory. …”
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Beyond the burning centre of cataclysm: Reception of Eastern Europe in poetry and criticism of mid-1960s Britain by Majak, A

“…The second chapter looks at the role of Modern Poetry in Translation magazine (MPT), ideas of ‘translatability’ in the Cold War era, and the time-specific, little discussed issue of striving for ‘literalness’ as a mode of translation that would allow a deeper emotional connection with the historical drama of post-war Europe. The third chapter moves on to examine proxy-witnessing and nuclear criticism in Sylvia Plath’s poetry, linking her fascination with the impossibility of voicing to survivalist narratives and characteristic of the 1960s’ interest in Holocaust poetry. …”

‘El mundo iluminado, y yo despierta’: screening Sor Juana in the films of Bemberg and Pereda by Bollig, B

“…Literary life has proved a popular subject for filmmakers over the years: poets in particular have become the fictionalized protagonists of biographical pictures or historical dramas.¹ The question that occupies this chapter is what happens to the literary work when the writer becomes the subject of the filmmaker’s attentions. …”

有情与无情 ：论《芈月传》中宣太后的两难抉择 = An entanglement of love and politics : the choice dilemma of Queen Dowager Xuan in the legend of Mi Yue by 刘凯丽 Lau, Kai Li

“…There are mixed notices of The Legend of Mi Yue, hence this thesis will offer some insights of the development of such historical dramas in the future by looking into the breakthroughs and limitations of it.…”
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