A companion to classical receptions / by Hardwick, Lorna, Stray, Christopher

“…Provides a comprehensive introduction and overview of classical reception - the interpretation of classical art, culture, and thought in later centuries, and the fastest growing area in classics Brings together 34 essays by an international group of contributors focused on ancient and modern reception concepts and practices Combines close readings of key receptions with wider contextualization and discussion Explores the impact of Greek and Roman culture worldwide, including crucial new areas in Arabic literature, South African drama, the history of photography, and contemporary ethics" http://www.loc.gov/catdir/enhancements/fy0805/2007022246-d.html.…”

Fotografi: Sains, Teknologi, Seni, dan Industri by Prayanto Widyo Harsanto

“…The digital photography era is a great development in science and technology in the history of photography after Niepce and Daguerre. Where in the 19th century, their experiments lead to the ability to capture images permanently with the subject of a cityscape in France. …”
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The vanguard of imagination : a survey of photography in colonial Singapore by Ng, Shawn Shao-En

“…A comparative survey between photographic mediums and relevant textual sources provides this study with an interpretive and comprehensive history of photography’s versatile application in the operations of colonial Singapore. …”
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A tények megjelenítése a fotográfia médiuma segítségével – megrendezett és manipulált képek by Tibor Jakab

“…Presenting Facts Through Photography – Staged and Manipulated Photographs In the history of photography, we come across many staged and manipulated photographs. …”
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‘I’m your automatic colour’ by Fagioli, Simone

“…Black and white is relegated to artistic expression, even newspapers have converted to colour for some years. In the history of photography, although research on colour is attempted from the early stages, it is necessary to wait until 1861 with the experiences of James Clerk Maxwell who created a stable colour image. …”
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Railway photography and technology: analysis of the photographic record of Brazilian railway in the 19th century by Eduardo Romero de Oliveira

“…This would demonstrate a potential for analysis of this type of iconographic material, where an interpretation proposed by the history of technology may not only enrich or complement studies of the history of photography, but also explore the importance of visual representation in technical-scientific knowledge.…”
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L’exemple du musée Nicéphore Niépce (Chalon-sur-Saône) : conservation, documentation et valorisation des photographies de presse by Sylvain Besson

“…In spite of its name, the Nicéphore Niépce museum at Chalon-sur-Saône is not exclusively devoted to the invention of photography. The whole history of photography is dealt with by the museum, from Niépce to the most recent advances in the realm of digital photography, from art photography to amateur photography and from industrial production to photo-reportage. …”
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TIEMPOS DE PROXIMIDAD. MOVIMIENTO, DERIVA Y ENCUENTRO EN LA PRODUCCIÓN VISUAL DE NICOLA COSTANTINO by Mariela Herrero

“…Addressing three works by Nicola Constantino, Trailer (2010), Vanity (2011), and Alterity (2012) from the point of view of transtemporality, since I consider that these productions propose a dialogue with the history of photography and art, mediated by unusual temporalities: from the loop and heterochrony to simultaneity and the future. …”
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In the course of history: the upsurge of photography in the image civilization <br>Nos passos da história: o surgimento da fotografia na civilização da imagem by Eduardo Ewald Maya

“…In this article I present a part of my master’s degree dissertation which dealt with the path in the history of photography. The text starts by focusing the profound cleave it provoked in XIX Century iconographies. …”
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Ariella Aïsha Azoulay and Georges Didi-Huberman: the persistence of lost worlds by Stijn De Cauwer

“…Azoulay consequently develops a critical view on the history of photography and its role in the imperialist destruction of entire lifeworlds. …”
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Basın Fotoğrafında Merhametin İyiliği ve Kötülüğü Üzerine by Handan DAYI

“…History of photography is almost completely identified with images of pain and destruction. …”
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Contemporary Misticism: Recovering Sensible Aesthetics in an Age of Digital Production by Randall K. Van Schepen

“…The artists Adam Fuss, Vera Lutter, Alison Rossiter, Sally Mann, and others have recently been exploring photographic methods that contradict the Benjaminian account of the history of photography. They continue to explore techniques that Benjamin placed in the auratic pre-paper-print era, such as Daguerreotypes and photograms, as well as employing other more material/chemically based effects. …”
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Double Index. The Self-Shadow in American Photography of the Second Half of the 20th Century by Julia Stachura

“…The two main problems that concern the author’s research are the lack of current, theoretical study on the problem of shadow in the history of photography from the perspective of art history (V. …”
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FUNCTIONAL RECONVERSION OF CENTRAL SQUARES AS SHOWN IN POSTCARDS: RUPEA / KŐHALOM / REPS TOWN, ROMANIA by Zoltan MAROȘI

“…However, studying and collecting postcards is a much older concern and it is directly linked to the history of photography from the first half of the 19th century. …”
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Earth in focus: the complex sculptures of land art and their 'big picture' effect, as seen through the lens of photography and film (1960s - 1970s) by van der Leeuw, SAJ

Lietuvos fotožurnalistikos pradžia Europos kontekste by Skirmundas Jonas Valiulis

“…Frizot „Naujoji fotografijos istorija“ („The new history of photography“), Vokietija13, M. W. Marien „Fotografija. …”
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El historiador y la fotografía: una relación antropológica by Emilio Lara López

“…Abstract: Once we have overcome the required phase of the photohistory, that is, the history of photography, it was essential to write history with photographs, through photography as a documentary source. …”
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Other People’s Stories: Bringing Public-Generated Photography into the Contemporary Art Museum by Areti Galani, Alexandra Moschovi

“…Constituting the ‘defining other’ of art photography, amateur photographic practices have long been neglected or specifically excluded from official histories of photography. Even the term ‘amateur’ has historically been characterized by semantic ambiguity. …”
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Photographs and Archaeological Knowledge by Sudeshna Guha

“…It draws upon histories of photography and archaeology within South Asia to create focus upon archaeology’s evidentiary regimes. …”

A REPRODUTIBILIDADE TÉCNICA E A MUDANÇA DE PERCEPÇÃO DA REALIDADE by Juliana Gisi Martins de Almeida

“…The study initiates with one brief history of photographie pointing out its insertion in the art, the medias and in peoples life; discussing its entry in the mass production system, the loss of the aura as the loss of the notion of autenticity and unicity. …”
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