The Pioneering Prototype Characters that Shape the History of Russian Literature by Gülhanım Bihter Yetkin

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Science Fiction Series <i>Star Trek</i> and <i>Babylon 5</i> as Forms of Political and Memorial Cultures Construction by M. W. Kyrchanoff

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Examining the space in science fiction movies between 1902-1968 through the dilemmas and opponents in Edward W. Said’s Orientalism Theory by Ekin Can Seyhan, Adnan Tepecik

“…Therefore, while analyzing the history of science fiction movies, this study aims to examine the transfer of cultural conflict to space. …”
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Examining the space in science fiction movies between 1902-1968 through the dilemmas and opponents in Edward W. Said’s Orientalism Theory by Ekin Can Seyhan, Adnan Tepecik

“…Therefore, while analyzing the history of science fiction movies, this study aims to examine the transfer of cultural conflict to space. …”
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Fiction romanesque et histoire du féminisme : à propos de La Main gauche de la nuit  by Justine Muller

“…In doing so, her work is a reflection of the raising questions and claims that characterize the various waves that cross the history of feminism. Like any science-fiction work, Le Guin’s novel is at the crossroads of reality and fiction in that it allows a criticism of present times and a renewal of the genre as much as it anticipates certain feminist theories that appeared in the 70s, 80s and 90s.…”
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Fiction as Universal Truth by Rob van Gerwen

“…This view requires us to hold back the inclination to think of truth as short for the correspondence of some representation to something beyond itself, which is the normal way to view truth in real life, in journalism and in science. A work that is true to itself may be said to generate a particularist type of universal knowledge, like Aristotle characterised poetry at the expense of history in his Poetics.…”
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Fiction as Universal Truth by Rob van Gerwen

“…This view requires us to hold back the inclination to think of truth as short for the correspondence of some representation to something beyond itself, which is the normal way to view truth in real life, in journalism and in science. A work that is true to itself may be said to generate a particularist type of universal knowledge, like Aristotle characterised poetry at the expense of history in his Poetics. …”
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On memory construction and fictionalization by Ngoi, Guat Peng

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Michel Jeury et l’écriture du temps by Natacha Vas-Deyres

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Lorsque Bellagamba réécrit Campanella : Temporalité et généricité à l’épreuve de l’Histoire by Marc Atallah

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A Journey to Another World:The Relay Translation of Iron World by Hung-Shu CHEN

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Identiti Melayu dalam novel pemenang sayembara fiksyen sains dan teknologi berdasarkan kerangka teori sistem pemikiran bersepadu by Md Zain, Rosnani

Subjects: “…Science fiction, Malay - History and criticism…”
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Fate amenable to change: a technical and social history of Virtual Reality in the United States of America, from 1965 to 2005 by Bowman, T

“…The results suggest that, since the mid-1980s, exaggerated capabilities and science fiction applications, extolled by both developers and media writers, far outstripped technical reality (unbeknownst to consumers), forming reverse salients on the research and innovation crucial to any modern technological system’s viability. …”

Utopian fiction in Todos nosotros by Lucia Feuillet

“…In this context, we conceptualize utopia as an ideologeme, capable of acquiring, on the one hand, a conceptual meaning as a collage of experiences (Jameson, Arqueologies of the future) and, on the other, a narrative manifestation, which involves the resolution of a set of social contradictions in fiction. Consequently, utopia allows us to grasp, in Ferrari's text, the conflicting sense of a production mode that registers vestiges of ancient social formations and projections of the future, proposing cultural coordinates for the re-reading of contemporary science fiction.…”
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La trilogie des Trois corps de Liu Cixin et le statut de la science-fiction en Chine contemporaine by Gwennaël Gaffric

“…In the light of the history of science fiction in China since 1949 and its political distortion, this present contribution aims to offer an examination of the conditions of production and reception of the Three Body trilogy in China and abroad and to try to understand the reasons for the critical, academic and even political passion that it arouses today.…”
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Chingiz Aytmatov’s Fictional World by Andrey F. Kofman

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Visualization of the Character's Appearance in Fiction by Natalia A. Drovaleva

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Visualization of the Character's Appearance in Fiction by Natalia A. Drovaleva

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Futurismo arcaizante: descolonización y anarcofeminismo en De cuando en cuando Saturnina by Hannah A. Burdette

“…</p> <p><em>Drawing on the description of De cuando en cuando Saturnina by Alison Spedding as &ldquo;native anarco&ndash;feminist science fiction&rdquo; announced on the back cover of its first edition (2004), this article proposes an interconnected reading of these four axes (futurism, Aymara logic, anarchism, and feminism). …”
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A new monograph by Konstantin Frumkin [Review: Frumkin K.G. Admiring the Academic Class: Reflection of the Social History of Soviet Science in Literature, Art, and Public Rhetoric.... by D.E. Martynov, Yu.A. Martynova

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