The rupture in Hong Kong cinema: Post-2000 Hong Kong cinema(s) as both a transnational cinema and a national cinema by Fangyu Chen

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The Poverty of Sociological Studies of Hong Kong Cinema, on Lisa Odham Stokes and Michael Hoover City on Fire: Hong Kong Cinema by Karen Fang

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Pre-post-1997 : preposterous Hong Kong cinema by Yue, Audrey.

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Comments on Karen Fang's Review of City on Fire: Hong Kong Cinema by Lisa Odham Stokes, Michael Hoover

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Modernity as Crisis: Goeng Si and Vampires in Hong Kong Cinema (translation into Russian) by Dale Hudson

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Destination Hong Kong : the geopolitics of South Korean espionage films in the 1960s by Lee, Sangjoon

“…This article casts a critical eye over South Korea–initiated inter-Asian coproduction of espionage films produced during the time, with particular reference to South Korea–Hong Kong coproduction of SOS Hong Kong (SOS Hongk'ong) and Special Agent X-7 (Sun'gan ŭnyŏngwŏnhi), both produced and released in 1966.…”
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"Chinesenesses" Outside Mainland China: Macao and Taiwan through Post-1997 Hong Kong Cinema by Hilary Hongjin He

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“Chinesenesses” Outside Mainland China: Macao and Taiwan through Post-1997 Hong Kong Cinema by Hilary Hongjin He

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From local cinema to national : Stephen Chow's 'competent loser' and the question of Hong Kong identity by Tseng, Christian Ke Ting

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Identità ai margini. Il cinema di Hong Kong tra post-colonialismo e nazionalismo by Stefano Locati

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Realismo e violenza: la rinascita del gongfupian e il successo del cinema di Hong Kong. La golden age del kung fu al cinema tra gli anni Settanta e Ottanta by Laura Sangalli

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Hollywood Genre, Cultural Hybridity, and Musical Films in 1950s Hong Kong by Xiao Lu

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Dalla Cina con furore (e ritorno) – Il cinema di arti marziali di Hong Kong by Laura Sangalli, Federico Zecca

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The gendered politics of sex work in Hong Kong cinema: Herman Yau and Elsa Chan (Yeeshan)’s Whispers and Moans and True Women for Sale by Gina Marchetti

“…The portrayal of women as prostitutes is common in Hong Kong cinema, and filmmakers have looked at sex work from various perspectives: as a social problem, as an index of women’s economic exploitation more generally, as a way to explore the relationship between economics and sexuality, as a window onto the world of sexual minorities and as erotica. …”
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Hong Kong-Malay film connections (1960s-1980s) by Yeo, MH

“…Putting shape to this particular dynamic of Asian cinema network history, this dissertation ultimately demonstrates that even beyond the relatively well-studied studio era, the histories of Hong Kong and Malay cinemas in fact remained entwined with one another, to some degree implicating each other’s processes of localization/nationalization and restructuration in the late twentieth century. …”

Rare collapsologie à la chinoise : effondrisme postcommuniste au « cinéma » (电影) by Raymond Delambre

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What Is Body, What Is Space? Performance and the Cinematic Body in a Non-Anthropocentric Cinema by Anne Rutherford

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Trans-cult-ural fandom: Desire, technology and the transformation of fan subjectivities in the Japanese female fandom of Hong Kong stars by Lori Hitchcock Morimoto

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The Memories of Journeys: Spatialization of Time in Wong Kar-wai’s Nostalgic Films by Chin-Pang Lei

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跨境的政治：香港电影的广东城市想象与自我论述 = Cross-border politics: Guangdong city imagination and self-narrative in Hong Kong cinema by 徐付美智 Xu, Fumeizhi

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