Cynical authorship and the Hong Kong studio system : Li Hanxiang and his Shaw Brothers erotic films by Teo, Stephen

“…In tackling the question of authorship in this way, the chapter discusses authorship through a different cultural and national context (the Hong Kong Mandarin cinema) than that of most Western academic writing on the subject of the auteur or authorship so as to offer some reflections on the nature of film authorship.…”
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香港主体性的失魂或回魂？：论《倩女幽魂》电影系列中的政治无意识 = Disappearance or reappearance of Hong Kong subjectivity’s soul? : a study of the political unconscious in “A Chinese Ghost Story” film series... by 陈德顺 Tan, Teck Soon

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Cinema and the cultural Cold War : US diplomacy and the origins of the Asian cinema network by Lee, Sangjoon

“…Film festivals that took place in cities as diverse as Tokyo, Singapore, Hong Kong, and Kuala Lumpur were annual showcases of cinematic talent as well as opportunities for the Central Intelligence Agency to establish and maintain cultural, political, and institutional linkages between the United States and Asia during the Cold War. …”
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DSLR Cinema : Crafting the Film Look with Video / by Lancaster, Kurt, 1967-, author 526112

“…Case studies feature an international cast of cutting edge DSLR shooters today, including Philip Bloom (England), Bernardo Uzeda (Brazil), Rii Schroer (Germany), Jeremy Ian Thomas (United States), Shane Hurlbut, ASC (United States), and Po Chan (Hong Kong). Their films are examined in detail, exploring how each exemplifies great storytelling, exceptional visual character, and how you can push the limits of your DSLR.…”

Felicity Colman (2011) Deleuze and Cinema: The Film Concepts by Iris Chui Ping Kam

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Transpacific Cyberpunk: Transgeneric Interactions between Prose, Cinema, and Manga by Takayuki Tatsumi

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Contágio: cinema, divulgação científica e o potencial preditivo da ciência by Luiz Felipe Fernandes Neves

“…O filme acompanha a trajetória de disseminação de um vírus zoonótico a partir de Hong Kong para o resto do mundo. Enquanto isso, autoridades científicas e sanitárias se mobilizam para combater a nova doença, que rapidamente atinge diversos países, fazendo milhares de vítimas. …”
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论香港武侠片“侠义”的演变——以《龙门客栈》、《新龙门客栈》、《龙门飞甲》为例 = A study of changes of "Wu Xia" concept in Hong Kong martial art films using Dragon Inn, New Dragon Gate Inn and The Flying Swords of Drago... by 黄乐静 Ooi, Le Jing

“…The importance of "Wu Xia" is obviously not only to attract audience but has also become a traditional Chinese virtue and a "classic symbol" of cinema, which has to a certain extent established the classic status of Hong Kong films in people's hearts. …”
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The Poetics of Combinatory Cinema: David Jhave Johnston interviews Roderick Coover and Scott Rettberg by Roderick Coover, David Jhave Johnston, Scott Rettberg

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Malayanized Chinese-language Cinema: On Yi Shui’s Lion City, Black Gold, and Film Writings by Hee, Wai Siam

“…This article holds that the term huayu dianying (Chinese-language cinema) was not first used in the 1990s by scholars in Hong Kong and Taiwan, but that its origins can be traced to Singapore and Malaya in the 1950s where Yi Shui promoted Malayanized Chinese-language cinema in the Nanyang Siang Pau. …”
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Remapping the Sinophone: the cultural production of Chinese-language cinema in Singapore and Malaya before and during the Cold War by Hee, Wai Siam

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《华语电影-命名的起点：论易水的电影实践与《马来亚化华语电影问题》= The origins of the term "Chinese-language Cinema" : on Yi Shui’s practice of filming and "on issues of the Malayanization of Chinese-language cin... by 許维贤 Hee, Wai Siam

“…This article purports that the term "Chinese-language cinema" was not first used in the nineties of last century by scholars in Hong Kong and Taiwan, but that its origins can be traced back to Singapore and Malayasia in the fifties of last century. …”
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Far East Film Festival 20 by Boel Ulfsdotter, Mats Björkin

“…After running successfully for twenty years, the Far East Film Festival (FEFF) in Udine, Italy, has become established as the most important overseas festival devoted to East Asian popular cinema. The Hong Kong Film Festival remains one of its main sources ever since the Centro Espressioni Cinematografiche of Udine began to display an interest in East Asian cinema by organising its first programme of Hong Kong films in 1998. …”
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厦语电影与华语语系的 “方言问题“ = Amoy-dialect cinema and the "Problem of Chinese Dialects" in Sinophone studies by 杨明慧 Yeo, Min Hui

“…The short-lived nature of the genre itself, coupled with the paradigmatic dominance of “National Cinema” in Cinema Studies have long stunted the study of Amoy-dialect cinema – an industry with a unique transnational production and distribution network connecting Hong Kong, Taiwan, the Philippines, Singapore and Malaya from the late 1940s to the early 1960s. …”
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Temps, Espace et la Eeprésentation de la Subjectivité Dans les Films de Wong Kar-wai by MOREIRA MACEDO, Ludmila

“…Given the importance of the filmmaker Wong Kar-wai not only in the panorama of the cinema of Hong Kong, but in the contemporary cinematographic production as a whole, this paper proposes an analysis of his work concentrated on the problem of the identity of his characters. …”
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De dia Deng Xiaoping, de noite Deng Lijun: música e memória em Plataforma by Cecília Mello

“…As diversas canções que pontuam o filme, que traça um panorama das transformações ocorridas no país durante a década de 1980 a partir da história de uma trupe de artistas itinerantes, são por um lado fragmentos da memória individual e autoral de Jia, transformados em peças importantes no seu empenho de reconstrução de uma memória coletiva através do cinema. Por outro lado, e para além de seu valor memorial, o impacto dessas canções nos anos 1980 e 1990 na China continental está relacionado, em grande medida, ao seu caráter de novidade, tanto por virem do exterior (principalmente de Hong Kong e Taiwan) quanto por empregarem a enunciação na primeira pessoa do singular, algo ausente nas canções revolucionárias chinesas ubíquas até então. …”
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Chek Lap Kok by Stephen

“…Chek Lap Kok (Hong Kong Airport) 21.00 01.12.19, a short video by Stephen Connolly which documents a walk to Hong Kong Airport from the Expo centre on the airport island, by means of slow travel, under makeshift conditions, and without carbon expenditure. …”
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Creating an anti-communist motion picture producers’ network in Asia : the Asia Foundation, Asia Pictures, and the Korean Motion Picture Cultural Association by Lee, Sangjoon

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马来亚化华语电影 ：以张莱莱和《马来亚狂恋》为例 = Malayanization of Chinese-language cinema : study of Chang Lye Lye and my love in Malaya by 黄玉君 Wong, Yoke Kuan

“…Chang also active in Malaysia and Hong Kong. She was influenced by Singapore filmmaker, Yi Sui who started the campaign of Malayanization of Chinese-Language Cinema that encourage local film studio to produce their own Chinese movies in Malaya, using only local actors and plot that reflect the life of Malaya. …”
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早期都市文化语境下的华语语系电影明星 ：以白云为个案 = Sinophone cinema stars in early urban cultural context : a case study on Bai Yun by 王思扬 Wang, Siyang

“…Bai Yun was born in Malaya and grew up in Singapore, he made a name for himself in Shanghai moviedom in the 1940s, and was popular in Hong Kong moviedom and Chinese-speaking world in the 1950s, but missing in the history of Chinese-language Cinemas. …”
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