重绘华语语系版图：冷战前后新马华语电影的文化生产 = Remapping the sinophone: the cultural production of Chinese-language cinema in Singapore and Malaya before and during the Cold war... by 许维贤 Hee, Wai Siam

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《人民记忆、华人性和女性移民：以吴村的马华电影为中心》= Popular memory, Chineseness and female immigrants : a case study on Wu Cun's Mahua cinema by 許維賢 Hee, Wai Siam

“…This suggests, therefore, that these films were completely or selectively forgotten when current mainstream Mainland Chinese film history, Hong Kong/Taiwan film history, and Singaporean and Malaysian film history were written.…”
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Ph.D. Thesis Abstract - Towards Non-human Personhood: Relational Animism and the Moving Image by Bogna M. Konior

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Avant into Pop, Pop into Avant: Interplays between Music and Visual Media by Gabriele, François Mouillot, Maria Teresa Soldani

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Struggles on Two Indivisible Fronts Godard, Dziga Vertov Group and the Ethical Predicaments of Post-1968 French Maoism by Man-tat Terence Leung

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The Abstracted Real: Speculations on Experimental Animated Documentary by Max Hattler

“…He is an assistant professor at the School of Creative Media, City University of Hong Kong. Hattler’s work has been shown worldwide, receiving prizes from Annecy Animation Festival, Prix Ars Electronica, Montreal Festival du Nouveau Cinéma, Punto y Raya Festival, Cannes Lions and London International Animation Festival, among others. …”
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A Robotic Teleoperation System Enhanced by Augmented Reality for Natural Human–Robot Interaction by Xingchao Wang, Shuqi Guo, Zijian Xu, Zheyuan Zhang, Zhenglong Sun, Yangsheng Xu

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来自南洋的早期华人明星 ：以姚萍为例 = An early Chinese artist from Nanyang : a case study on Yiu Ping by 张铭珈 Chong, Ming Jia

“…This thesis is based on materials such as newspapers, cinema magazines and the film Love Song of the South Island (available in the Hong Kong Film Archive). …”
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Poetiche della solitudine: da “Le Samouraï” a “Ghost Dog” by Roberto Chiesi

“…In the Far East, John Woo, one of the most representative exponents of Hong Kong cinema, directed “The Killer” (1989), a sort of fake remake that however marks a trivialization of Melville’s poetics; while the American director Jim Jarmusch, with “Ghost Dog - The Way of the Samurai” (1999), reinvented with originality the motifs of solitude and obedience to the code of honor that formed the deep core of the French film.…”
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The Beauty of the Fragment Reconstituted in the Great Wall by Dirk De Bruyn

“…His move to Hong Kong and his recent Serial Parallels is also a predictive probe into future media environments. …”
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Why do we watch what we watch? explaining film import choices of invidual countries among different production sources. by Sim, Clarice Chwei Lin.

“…This study examines the theatrical film import choices of individual countries over nine country production sources, namely the US, Italy, France, UK, India, Russia, Germany, Japan and Hong Kong. An empirical model consisting of measures of cinema market scale, cultural distance, linguistic similarity and geographic proximity is devised to explain the quantities of movies imported by countries over a range of export sources. …”
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Spatial risk for a superspreading environment: Insights from six urban facilities in six global cities across four continents by Becky P. Y. Loo, Becky P. Y. Loo, Ka Ho Tsoi, Kay W. Axhausen, Mengqiu Cao, Yongsung Lee, Keumseok Peter Koh

“…The study collects detailed human mobility and other locational data in Chicago, Hong Kong, London, São Paulo, Seoul and Zurich. Then, considering facility agglomeration, visitors' profile and the density of the population, facilities are classified into four potential spatial risk (PSR) classes. …”
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Identification of superspreading environment under COVID-19 through human mobility data by Becky P. Y. Loo, Ka Ho Tsoi, Paulina P. Y. Wong, Poh Chin Lai

“…Overall, the proposed method can estimate empirical hot spots of superspreading environment with statistical accuracy. The SE-risk map of Hong Kong can pre-identify areas that overlap with the actual disease clusters of bar-related transmission. …”
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Portraying Singapore's sociolinguistic complexities through subtitling translation: a case study of Singapore Chinese-language film Long Long Time Ago 3: The Diam Diam Era by Neo, Tarryn Yuan Ting

“…This study has found that portrayals of complexities such as hierarchical spoken English, characterisation of dialects including Hokkien as an “uncultured” dialect and Cantonese influenced by Hong Kong Popular Culture, and the significance of Mandarin in Xinyao are lost with the current use of direct translation and omission as its subtitling translation strategies. …”
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Comparative efficacy and safety of different anti-VEGF agents combined with different delivery methods for neovascular glaucoma: a systematic review and Bayesian network meta-analy... by Jie Min, Jiaqi Wang, Yi-Ming Guo, Junhan Wei, Lu Ye

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冷战与现代化 ：以国际电影懋业有限公司为例 = Cold war and modernisation : a case study of the Motion Picture & General Investment Co Ltd by 林鼎瀚 Lim, Ding Han

“…Motion Picture & General Investment Co Ltd (MP&GI) is a cinema production company financially funded by Singapore and Malaysia but situated in Hong Kong. …”
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陆运涛的电影事业及其幕后功臣 ：兼论冷战时期的国泰电影特色 = Loke Wan Tho's movie empire and the people behind its success : a concurrent analysis of Cathay movies during the Cold War... by 林川富 Lim, Sebastian

“…At its height, his movie empire covered large parts of Asia; namely Taiwan, Indonesia, Japan, Malaya and Hong Kong. However, this paper will be mainly focusing on Malaya and Hong Kong (both colonial lands at that time) because these are the only two places where Cathay established film production operations in addition to film distribution and cinemas. …”
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