Locke, Horace, and a Syllabus Errorum by Felix Waldmann

Get full text

Tears in Horace’s «Satires» by Giulia Beghini

“…The article aims to study the tears within Horace’s Satires, or in other words, in a genre that has its identity gesture in the opposite laughter. …”
Get full text

Horace Pippins konst by Mats Trondman

“… The article focuses on the African-American painter Horace Pippin (1888-1946). By using a cultural sociologically informed approach it connects his life – how Pippin became an artist –and art – what his art can mean to us – with the aim of understanding how an art for art’s sake (konstens egenvärde) can be related to, yes, even make up the presupposition for, an art for art’s surplus value (konstens mervärde) concerning issues of race, politics, the arts and diversity. …”
Get full text

Horace G. Lunt, Attempt at a Generative Description of the Slovene by Janez Orešnik

Subjects: “…Horace G. Lunt…”
Get full text

The response to Horace in the seventeenth century by Martindale, J, Martindale, Joanna

“…It is argued that he is a transitional figure in the century's response to Horace, and his viev of Horace as a poet of retirement and gardens is discussed. …”

Horace Pippin, American Modern by Rebecca VanDiver

Get full text

Longing for Maecenas: Horace and the Nostalgia of Martial by Joe Broderick

Get full text

Skovoroda and Horace in The «Garden of Divine Songs» by Nadiia Havryliuk

“…The article examines the images and motives of Horace, reinterpreted by Hryhoriy Skovoroda: dangers, a pure heart, a traveler in search of happiness. …”
Get full text

Lesbia as Procuress in Horace’s Epode 12 by Marilyn B. Skinner

“… Recent innovative readings have shown that Horace’s Epodes is an experimental contribution to the iambic tradition using impotence as a structuring trope. …”
Get full text

Drowning by numbers: Pythagoreanism and poetry in Horace Odes 1.28 by D'Angour, A

Erotic Magic, Elegy, and Iambic in Horace’s Epodes by Zara Chadha

“…Horace literalises the elegiac lovers’ metaphorical characterisation of their mistress’ beauty as magically enchanting to construct Canidia as a witch who controls her lovers with erotic magic. …”
Get full text

A cruel and pointless trick? False non-closure in Horace’s Odes by Robert Cowan

“…Some scholars argue that only a change of metre signals the beginning of a new poem in Horace’s Odes. …”
Get full text

Queer Feelings: Love and Loss in the Letters of Horace Walpole by George E. Haggerty

“…By looking at touchstones in Horace Walpole’s life, I look for a model of queer relationality that is centuries ahead of its time.…”
Get full text

The publication and individuality of Horace's 'Odes' Books 1-3 by Hutchinson, G

The Origins of the Fantastic in Horace Walpole’s Prefaces to The Castle of Otranto by Laia Olivé

“…Both texts lay out some of the Gothic particularities found not only in subsequent narratives of this kind, but also in fantastic tales, which will appear half a century later. The aim of this article is to track the origins of the fantastic in Horace Walpole’s prefaces so as to understand it better and discuss its development and divergence from the Gothic. …”
Get full text

The Sentiment of Latin Poetry. Annotation and Automatic Analysis of the Odes of Horace by Rachele Sprugnoli, Francesco Mambrini, Marco Passarotti, Giovanni Moretti

“…In this paper, we describe the creation of the first small gold standard of Latin made of poems written by Horace and manually annotated with emotion polarity, but we also report about the results of a set of automatic classification experiments. …”
Get full text

Horace Walpole, the Strawberry Hill Press, and the Emergence of the Gothic Genre by Emma Clery J.

Get full text

The Reversal of the Exemplifying Role of History in Horace Walpole s “The Castle of Otranto ” by SYBILLA BARĆ

“…This article presents Horace Walpole’s The Castle of Otranto - the first Gothic novel in English literaturę - as a work that subverts exemplary historicism by reversing the traditional exemplifying role of history. …”
Get full text

Plastic accommodations of female agency: Vergil, Horace and Antipater of Thessalonica by Thea Selliaas Thorsen

“…By taking statues in the Portico of Pompey as a point of departure, the present investigation centres on the less known poet Antipater of Thessalonica, who composed epigrams in Greek in Augustan Rome, as well as the famous Augustan poets Horace and Vergil. …”
Get full text

Horace FREELAND JUDSON, Anatomía del fraude científico. 2007 by Mónica Delgado Carreira

Get full text