Queer Feelings: Love and Loss in the Letters of Horace Walpole by George E. Haggerty

Subjects: “…Horace Walpole…”
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The Origins of the Fantastic in Horace Walpole’s Prefaces to The Castle of Otranto by Laia Olivé

“…The aim of this article is to track the origins of the fantastic in Horace Walpole’s prefaces so as to understand it better and discuss its development and divergence from the Gothic. …”
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Horace Walpole, the Strawberry Hill Press, and the Emergence of the Gothic Genre by Emma Clery J.

Subjects: “…Horace Walpole…”
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The Reversal of the Exemplifying Role of History in Horace Walpole s “The Castle of Otranto ” by SYBILLA BARĆ

“…This article presents Horace Walpole’s The Castle of Otranto - the first Gothic novel in English literaturę - as a work that subverts exemplary historicism by reversing the traditional exemplifying role of history. …”
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A Cognitive Poetic Approach to Paratext: Horace Walpole’s Prefaces to The Castle of Otranto. A Gothic Story by Anna Kędra-Kardela

“… Based on an analysis of two Prefaces to Horace Walpole’s The Castle of Otranto. A Gothic Story, the paper offers a cognitive poetics view of paratext, a literary device defined by Genette as “a threshold of interpretation”. …”
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Historiographie, anthropologie des lieux et monuments gothiques dans The Castle of Otranto (1764) par Horace WALPOLE by Mariame WANE LY

“…Elle a pour objectif de délimiter le texte d’Horace Walpole, The Castle of Otranto, dans un champ historiographique, spatial et architectural. …”
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Foley Effects in the Gothic by Bender, John

Subjects: “…Foley effects. Gothic Novel. Horace Walpole. Psycho-acoustic ambience. The Castle of Otranto…”
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O fantasma de Strawberry Hill: pseudotradução e a proposta estética de Horace Walpole (a partir de uma leitura dos prefácios de O Castelo de Otranto) by Dircilene Fernandes Gonçalves

“…No entanto, a segunda edição, publicada em abril de 1765, trouxe a revelação de que o texto não era uma tradução, mas uma narrativa original escrita por Horace Walpole (uma pseudotradução), o que causou reações diversas no público e na crítica, levando a acaloradas discussões estéticas e éticas em torno da farsa engendrada pelo autor e que acabaram por conferir à obra, até hoje, o status de fundadora do romance gótico.…”
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JJúlio França & Luciana Colucci (orgs.), Matizes do gótico: três séculos de Horace Walpole, Dialogarts-Clepsidra, Rio de Janeiro, 2020.... by Suellen Cordovil da Silva

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Serendipity. by Jacques Lévy

“…À partir d'un conte persan qu'il a retrouvé , The Three Princes of Serendip , ce dernier terme désignant Ceylan (aujourd'hui Sri Lanka) en persan, l'écrivain Horace Walpole forme le mot «  serendipity  », caractéristique de ce qui se produit ...…”
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La influencia de la literatura gótica en Francia: traducciones francesas y relatos de Ducray-Duminil y Arlincourt by Ángeles García Calderón

“…This paper deals with the influence and diffusion of the «Gothic Fiction» or «Gothic Novel» in France through French translations which appeared almost at the same time as their original English texts; for instance, Horace Walpole’s The Castle of Otranto (1764) was translated only three years after its publication. …”
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Russian theme in the perception of H. Walpol by Krelenko, Natalia S.

“…When writing this article, the level of personal perception by the representative of the English Enlightenment of the carriers of the Russian cultural tradition was chosen. Horace Walpole gained fame in various areas of cultural life. …”
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Reviews Spring 2021 by Nele De Raedt, Frances Sands, Erin J. Campbell, Vanessa Vanden Berghe

“…Reeve, 'Gothic Architecture and Sexuality in the Circle of Horace Walpole'. University Park, PA: The Pennsylvania State University Press, 2020. …”
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Wpływ egzemplów barokowych na wyobraźnię twórczą Anny Mostowskiej na przykładzie powieści Zamek Koniecpolskich oraz Matylda i Daniło by Dorota Vincůrková

“…The Monk by Matthew Gregory Lewis, The Castle of Otranto by Horace Walpole and The Italian byAnn Radcliffe) as well as religious didactics.…”
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London and the Gothic in Leon Garfield’s 'Smith' and Joan Aiken’s 'Black Hearts in Battersea' by Alison Baker

“…Gothic fiction’s recognisable tropes were established in the 18th and 19th centuries through novelists such as Horace Walpole and Ann Radcliff: supernatural elements, fear, historical settings and the sublime in landscape reflecting the heightened emotions of the protagonist. …”
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Estudio de los rasgos del fantástico real en «Miroirs obscurs: treize contes fantastiques» de Jean-Baptiste Baronian desde un enfoque traductológico by SOLEDAD DÍAZ ALARCÓN

“…Although its origins go back to Horace Walpole's Gothic novel in the 18th century, the fantasy genre is strongly reaffirmed in Belgium in the 20th century thanks to Franz Hellens, Jean Ray, and Jean Muno’s novels among others. …”
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From Extraordinary to Ordinary: Heroic Images in British and Chinese 18th-century Supernatural Fiction by Minglun Chen, Malini Ganapathy, Salasiah Che Lah

“…The 18 th century witnessed a boom in British Gothic novels and Chinese supernatural tales, among which Horace Walpole’s The Castle of Otranto and Pu Songling’s Liaozhai Zhiyi are the most prominent. …”
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Ueda Akinari y el gótico japonés by José Ricardo Chaves

“…Este ensayo explora los interesantes paralelismos entre la obra de Akinari y la de escritores como Horace Walpole, Ann Radcliffe y Mathew Lewis, no con el afán de mostrar una relación directa entre el gótico europeo y el “gótico” japonés (algo imposible, dado el aislamiento que marcó el final del periodo feudal en Japón), sino para señalar el carácter transcultural del género, fuera de las estrechas definiciones espaciales y temporales que solemos asignarle.…”
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William Chambers. Sobre el arte de trazar jardines entre los chinos by Miguel Angel Aníbarro

“…Con él se inicia una polémica, progresivamente centrada en la obras de Capability Brown, cuyos ecos resuenan en los escritos de Horace Walpole y Willim Mason, y que para Chambers culminará con la publicación, quince años después de A Dissertation on Oriental Gardening, donde argumenta y amplía sus opiniones, y con la burlesca respuesta de Mason en su Heroic Epistle de 1773. …”
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The Function of Sound in the Gothic Novels of Ann Radcliffe, Matthew Lewis and Charles Maturin by Angela M. Archambault

“…In the decades that followed Horace Walpole’s pioneer novel of the new Gothic genre, Gothic literature would prove unruly in its evolution and would veer towards a markedly audible experience in the works of Radcliffe, Lewis and Maturin during the last decade of the eighteenth century. …”
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