Showing 301 - 320 results of 3,085 for search '"I AM."', query time: 7.76s Refine Results
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    Feed Supplemented with <i>Aronia melanocarpa</i> (AM) Relieves the Oxidative Stress Caused by Ovulation in Peak Laying Hens and Increases the Content of Yolk Precursors by Bo Jing, Huanwei Xiao, Haixu Yin, Yingbo Wei, Haoyuan Wu, Dongliang Zhang, Ivan Stève Nguepi Tsopmejio, Hongmei Shang, Zhouyu Jin, Hui Song

    Published 2022-12-01
    “…The aim of this study was to evaluate the antioxidant effects of <i>Aronia melanocarpa</i> (AM) in the diet and its effect on the yolk precursor content caused by ovulation in laying hens during the peak period. …”
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    Challenges and Solutions to Translating Multilingual Literary Texts between Identity Custody and Translators’ Creativity: The case of Farah CHAMMA’s Poem Translation ‘I Am No Palestinian’ by Soumaya Mazouz, Abdeldjalil Kadri

    Published 2022-12-01
    “…This paper aims to examine the different strategies proposed by Venuti, Cincotta, Bojanin, Qoates and other scholars to transfer the code-switching device in the literary texts; and eventually proposes an integrated strategy that will preserve the code-switching aspect in the translation process, namely in Farah CHAMMA’s poem ‘I am No Palestinian’. Our strategy aims at creating such equilibrium between the translator’s creativity and identity losses, which will allow the target reader to be an active participant in the understanding process and revealing the otherness of the source text. …”
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    Tracing issues of the deferred/differed contemporary Australian jewish identity: Bavati’s Dancing in the Dark and Brous’I am Max Lamm under the deconstructive lens by Rasha Saeed Abdullah Badurais, Nurul Farhana Low Abdullah, Mohamad Rashidi Mohd Pakri

    Published 2023
    “…This study attempts to deconstruct Bavati’s Dancing in the Dark (2010) and Brous’ I Am Max Lamm (2011) to discuss the contemporary social-psychological identity features portrayed within the overall ethno-religious Australian Jewish identity perspective in these texts. …”
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