Peer Gynt by Henrik Ibsen. Directed by Erik Ulfsby. by John Lingard

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Between occultism and drama. Henrik Ibsen and Aleister Crowley by Giuliano D' Amico

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Geographies of superstition, myths, freedom: Ibsen and Northern Norway by Wenche Torrissen

Subjects: “…Ibsen and Northern Norway…”
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Ibsen’s Evangelical Detective: Evidence and Proof in The Wild Duck by Errol Durbach

“…The argument of the paper suggests that Ibsen calls in question the basic premises of the genre (the need, for example, to uncover truth and trace evil to its source thereby restoring a chaotic world to a form of Edenic order) and subverts the most fundamental expectations of the crime fiction reader. …”
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Romantic remains: Ibsen's decadence, with and against Georg Lukács by Olivia Noble Gunn

“…Although many critics have insisted on Ibsen’s (counter)romanticism, Lukács locates Ibsen – whom he calls a romantic à rebours – more decisively in the “era of decay.” …”
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The Restoration of Feminist Subjectivity in Henrik Ibsen and Rabindranath Tagore by Mohammad Shahidul Islam Chowdhury

“… Henrik Ibsen (i828-1906) focuses, among other issues, on the individuality in his play A Doll’s House. …”
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The Portrayal of Women in Henrik Ibsen’s A Doll’s House by Dr. Ahmed Saeed Ahmed Mocbil

“…This research investigates the portrayal of women characters in Henrik Ibsen's play, A Doll's House. Ibsen is the father of modern theater and often advocates for social issues in his plays. …”
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Goethe, Marx, Ibsen and the creation of a world literature by Martin Puchner

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Dances in the drawing-room: musical elements in Ibsen's dramas by Sofija Christensen

“…In Ibsen’s time, the piano was a powerful cultural signifier. …”
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Vocational Vanity and Career deterioration in Ibsen’s The Master Builder by سعد المالكي, جنان الحجاج

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Henrik Ibsen’s PEER GYNT in a new version by Errol Durbach

“… ABSTRACT: This version of Peer Gynt is one of many adaptations of Ibsen’s original “dramatic poem” into a stage presentation of the archetypal journey, spread over a lifetime, of a man in search of himself. …”
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Otto Brahm's Ibsen cycle at the Lessing-Theater in Berlin by Jens-Morten Hanssen

Subjects: “…Henrik Ibsen…”
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Ellen Rees. Ibsen's Peer Gynt and the Production of Meaning. by Dean Krouk

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Postcolonial Ibsen: Judith Thompson’s Hedda Gabler (1991) by Penny Farfan

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Ibsen, Sancthansnatten og de «saakaldte lavere Kunstarter» by Ellen Rees

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Ibsen on the London stage: Independent theatre as transnational space by Bullock, P

“…This article considers the British reception of Ibsen around the turn of the century, replacing modernism’s strongly teleological sense of its own temporality with a more spatially inflected account of artistic production that draws on tropes such as ‘the Republic of Letters’, ‘Weltliteratur’ or recent interest in ‘Global Ibsen’. …”

LA VÉRITÉ NÉGOCIÉE DANS L’OEUVRE D’IBSEN by Anca SOCACI

Subjects: “…Ibsen, truth, heredity, symptom, anamnesis, medical, social, diagnosis, negotiation.…”
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Dissertation and Illocution: Discourse Analysis with Examples from Bradbury and Ibsen by Emilia Rébora, Fernando Castaños, Pamela Urdal

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Peer Gynt in Czech translation: a peculiar reception in history by Martin Humpál

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R.G.C. van der Zalm, Ibsen op de planken. Een ensceneringsgeschiedenis van het werk van Henrik Ibsen in Nederland 1880-1995 by D.J. Wolffram

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