Culture, Art and Film in an African Society by Durotoye A. Adeleke

“…While the professional film producers opt for a good production in terms of quality imagination, entertainment, and education, the pseudo-professional filmmakers prefer emotional and sensational films which lack lustre. …”
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Fantasies of authenticity, anxieties of culture: global capital, entertainment and cultural nationalism in the contemporary popular cinemas of India and China since 1990 by de Feo-Giet, D

“…To understand internecine relationships between economics, society and the imagination, entertainment film cannot be dismissed – in India and China, where change has had intended and unintended consequences unfolding even as uncertainty looms, I show that fresh study, especially in comparison, is absolutely essential.…”