George Moore: la pasión francesa by Esther González Alarcón

“…We will speak of the influence which France, the impressionist painters, and the French writers from the end of the 19th century and the beginning of the 20th century, all had on his career as a writer. …”
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IN DIALOGUE WITH IMPRESSIONISM: "JEUX D’EAU" BY MAURICE RAVEL by Attila FODOR

“…Beyond the fact that it marks a turning point in Ravel’s career, it is no exaggeration to say that it is both a milestone for piano literature in general and for the impressionist one. Our study focuses on the analysis of Ravel’s writing style and construction in the mirror of musical Impressionism, pointing out, where appropriate, the innovations that foreshadow representative compositional solutions for the avant-garde of the first half of the 20th century and beyond. …”
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Visual performance of painting colors based on psychological factors by Chenchen Yao, Tian Tian, Cai Gao, Shuangping Zhao, Qingyan Liu

“…The colors in the post-impressionist paintings of Van Gogh and Gauguin is contrasted, and experiments on psychological factors and color research is conducted. …”
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Stylistic directions in Stevan Hristić’s oratorio Vaskrsenje, Resurrection: The question of crossroads-traditions in Serbian music at the beginning of the twentieth century by Tomašević Katarina D.

“…The oratorio Resurrection is freely permeated with both romantic and impressionist elements, hence the impression of the typically Western fin-de-siècle style. …”
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Between music and ideologies: Croatian music criticism from the beginning to World War II by Sanja Majer-Bobetko

“…Regardless of whether we are dealing with 1) ideological-utilitarian criticism, which was directed towards promoting the national ideology (Franjo Ksaver Kuhač, 1834-1911; Antun Dobronić, 1878-1955), 2) impressionist criticism based on the critic’s subjective approach to particular work (Antun Gustav Matoš, 1873-1914; Milutin Cihlar Nehajev, 1880-1931; Nikola Polić, 1890-1960), or 3) Marxist criticism (Pavao Markovac, 1903-41), we may observe the above mentioned two basic criteria. …”
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Narratiiv ja topos Heino Elleri “Sümfoonilises legendis” by Karl Joosep Pihel

“…The primary order-imposing hierarchy is identified as the pastoral-impressionist topic that acts as the introduction and coda to the entire piece while the transgressive hierarchy is carried by antagonistic musical material associated with fantastical and dysphoric topics (whole-tone scale, chromaticism, fanfare-like brass and ombra) and with the main theme-actor of the piece (a theme strongly resembling the main theme of the first part of Rimsky-Korsakov’s “Scheherezade”). …”
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Virtual cleaning of works of art using a deep generative network: spectral reflectance estimation by Morteza Maali Amiri, David W. Messinger

“…The model is first applied to a Macbeth ColorChecker target (as a proof of concept) and then to real data of a small impressionist panel by Georges Seurat (known as ‘Haymakers at Montfermeil’ or just ‘Haymakers’). …”
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Neural mechanisms of musical structure and tonality, and the effect of musicianship by Lei Jiang, Lei Jiang, Ruiqing Zhang, Lily Tao, Yuxin Zhang, Yongdi Zhou, Yongdi Zhou, Qing Cai, Qing Cai, Qing Cai

“…Musical syntax may differ in different music genres caused by tonality varieties.MethodsThe present study investigated the neural mechanisms for processing musical syntax across genres varying in tonality – classical, impressionist, and atonal music – and, in addition, examined how musicianship modulates such processing.ResultsResults showed that, first, the dorsal stream, including the bilateral inferior frontal gyrus and superior temporal gyrus, plays a key role in the perception of tonality. …”
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Aesthetic Evaluation of Digitally Reproduced Art Images by Claire Reymond, Claire Reymond, Matthew Pelowski, Klaus Opwis, Tapio Takala, Elisa D. Mekler

“…To address this gap, we compare the evaluation of digital reproductions of 16 expressionist and impressionist paintings manipulated to have a high color saturation vs. a saturation similar to the original. …”
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Cidades: o hábito de habitar e outros pontos by Maria Angélica Amâncio Santos

“…<p><strong>Abstract</strong>: The purpose of this essay is to reflect on the habit of living, starting this thought from the construction of the city through dots, i.e., to search on the artistic technique of pointillism, so close to impressionist painting, the model for thinking the constitution of urban space as a huge agglomeration of points - the neighborhood, the street, the block, the building, the apartment. …”
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Noor eesti teater ja Noor-Eesti. Young Estonian Theatre and Young Estonia by Katri Aaslav-Tepandi

“…These models were likewise known to the Young Estonians, but if theatre activists oriented themselves more fundamentally to German naturalist and realist dramatic art, Young Estonians were more taken with ”theatrical theatre” with its symbolist and impressionist influences. The Young Estonians attended performances at both theatres, ”Vanemuine” and ”Estonia”, and wrote numerous theatre reviews. …”
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Claude Monet, mentor ou repoussoir de la génération néo-impressionniste? by Maingon, Claire

“…Finally, the article highlights the reception of Monet's paintings by the neo-impressionists, notably of his Rouen Cathedral series in 1895.…”
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Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900 by Dymond, Anne

“…Through a close reading of Parisian art criticism around 1900, this essay examines Paul Signac's role as de facto head of the neo-impressionists and guiding spirit of the Salon des Indépendants. …”
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Red Dirt by Elizabeth Strickler

“…An impressionistic documentary on dirt track racing in Georgia filmed at Dixie Speedway in Woodstock, Georgia and 7 Flags Speedway in Douglasville, Georgia in 1999.…”
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The poetry of the komi poetess N. Obrezkova: the aspects of poetics

“…It is characterized as mifologity, impressionistic and intellectual. Specificity of art thinking of the poetess is revealed by the author.…”
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Social dimensions of the nasal prefix in Jakarta Indonesian by Ferdinan Okki Kurniawan

“…Rather than relying on impressionistic observation, data in this study are drawn from a naturalistic speech corpus in informal settings (Gil et al. 2015). …”
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Multimodal impressions of voice quality settings: the role of vocal and visual symbolism by Sandra Madureira, Mario A. S. Fontes

“…The first experiment examined the impressionistic effects of eight voice quality settings characterized by differences in pitch. …”
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Voices of coastal Georgia by Renwick, MEL, Olsen, RM

“…Unlike previous studies of LAGS, which have largely relied on impressionistic transcriptions of target lexical items, this study relies on full interviews (mean length 3.5 hours). …”

From postromantisism to symbolist aesthetics: Ch. Baudelaire’s «LES FLEURS DU MAL» by V V Shervashidze

“…Baudelaire created new poetry - the poetry of sentiment, secret premonitions, impressionistic colors and associations. «Symbolist out of symbolism» in the theory of correspondences as is revealed through the secret language of symbols the esoteric essence of the world through the language of art becomes the body - then becomes visible, audible, intelligible.…”
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Degas to Picasso: creating Modernism in France; works from the Ursula and R. Stanley Johnson Family Collection by Harrison, C

“…<br> This catalogue traces a course from Neo-Classical and Romantic artists like David, Ingres, Gericault and Delacroix, through Impressionists and Post-Impressionists like Degas, Monet and Seurat, to the ground-breaking experiments of Picasso and Braque; but it also shows that there was no straight line leading from tradition to the shock of abstraction. …”