SYNTACTIC STYLISTIC TRADITIONS AND INNOVATIONS OF THE EPOCH OF POETIC-PROSAIC INSEPARABILITY (on the material of english belles-lettres of XIV-XV centuries) by Yuliya P Vyshenskaya

Subjects: Get full text

El poder a través de la imagen. La representación de los reyes de la Corona de Aragón en el Libro de privilegios de la villa de Alzira (Valencia) c. 1380-1391 by Nuria Ramón-Marqués

Subjects: Get full text

Discursive Aesthetic Impact Strategies in Medieval Literary Texts by Yuliya P. Vyshenskaya

“…One of the mighty instruments of the mentioned sort of the esthetic impact is the medieval illuminated book of the epoch of the international Gothic (XIV - XV centuries) dominating within the borders of European cultural space. …”
Get full text

Escenas de la vida de Santo Domingo de Guzmán by María Jesús Baquero Martín

“…"Escenas de la Vida de Santo Domingo de Guzmán" is a title given to the beautiful work attributed to Pere Nicolau, one of the maximum representatives of the International Gothic in Valencia. This piece of art tells us of Santo Domingos’ symbolic image, created from the hagiographic literature and artistic expressions in the Middle Age, "each one in its language, its treasures and limits, and in them lives its beautifulness, its ability to suggest and allow us dreaming or enjoying ourselves".…”
Get full text

The Iconography of Light in Renaissance Painting and its Medieval Heritage by Oana-Maria Nicuță

“…With the so-called international Gothic and the Italian ProtoRenaissance, light will change its very form of manifestation, replacing the three-dimensional, environmental use of light as a medium with a two-dimensional representation contained within the painting. …”
Get full text

Material and Technical Analysis as a Support for Art-Historical Characterization of Selected Mural Paintings in Austria around 1400 by Anabelle Kriznar

“…They were carried out around 1400 in the International Gothic style. Their workshop connections based on the style are doubtful, therefore, a material and technical study was carried out. …”
Get full text

Gothic painting in the Catalan-speaking lands between the 14th and 15th centuries by Rosa Alcoy

“…Barcelona remained prominent with Lluís Borrassà, Guerau Gener, Joan Mates and Jaume Cabrera, but it lost its hegemony as Valencia summoned an indisputable series of leading figures, including Pere Nicolau, Gherardo Starnina, Marzal de Sax, the Gonçal Perises, Miquel Alcanyís and Jaume Mateu, who gave prominence to the international Gothic, which was also practised by the schools and studios in Castellón, Morella, Tortosa, Tarragona, Lleida, Girona, Perpignan and Mallorca. …”
Get full text