Neurodevelopmental Status of Infants Conceived Assisted Reproductive Techniques in Royan Institute by Ramin Mozafari Kermani Kermani, Leila Nedaeifard, Mohamad Nateghi, Abolhasan Fazeli

“…Objective: There is a large amount of information published about ART infants worldwide but apparently the similar data did not published by Iranian ART centers till now. This study is a comparative study for developmental assessment of these infants. …”
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Semiotic analysis of form and meaning in Vakil mosque in Shiraz by negin laripour, Dadvar Abolghasem

“…Among the positions of the appearance of symbols in Iranian art is architecture. Considering the meaningful capabilities of the mosque architecture, using the semiotic method, we will analyze the symbolic concepts and spiritual meanings of these artistic works. …”
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Corresponding the Visual Structure of the Artwork of Herat School Painters (Mir Khalil Mosavar and Molana Ali) by Javad Nobahar

“…Herat has documented one of the most thriving Iranian art courses during the Shahrokh period. Understanding the motives for the flourishing of paintings of this period necessitates this research. …”
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Semiotic analysis of form and meaning in Vakil mosque in Shiraz by negin laripour, Dadvar Abolghasem

“…Among the positions of the appearance of symbols in Iranian art is architecture. Considering the meaningful capabilities of the mosque architecture, using the semiotic method, we will analyze the symbolic concepts and spiritual meanings of these artistic works. …”
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Human Figure Iconology is Two Pieces of Textile from Sassanid Era (With Images of the King’s Battle and the Tree of Life) by nastaran saberi, Ameneh Mafitabar

“…The hypothesis is that by exploring the superficial forms of the motifs of these two pieces of fabric and determining and interpreting the symbols, it is possible to come to their iconographic interpretation and identify at least some of the most meaningful symbolic meanings as a decorative element and a feature of Iranian art. Many studies have dealt with the motifs and symbols of the Sassanid period and the iconology approach. …”
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The Analysis of the Celebrities Carpet Safeguarded in the Niavaran Palace; Em phasizing on The Position of Prophet Muhammad (pbuh) and Prophet Jesus (pbub) Based on Janet Wolff”s... by Sahel Erfanmanesh, Hamed Amani, Zahra Amani

“…The wide reproduction of carpets called Mashaheer (celebrities) with images of explorers,prophets, and kings in the Qajar period is considered an important part of Iranian art history.In each reproduction of these carpets, there have been changes in the figures of the firstrow compared to the initial carpet. …”
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Evaluating the Motifs and Pigments of the Charta Pictographs in Kuhdasht, Lorestan by Sara Sadeghi, Ardeshir Javanmardzadeh, Manijeh Hadian Dehkordi, Reza Rezaloo

“…Rock arts, especially pictographs, feature peculiar characteristics in the history of Iranian art. Most scholars regard them as a form of visual art. …”
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An Analysis on the Art Programs of Universities and Higher Education Institutes under the Direct Administration of the Ministry of Science, Research and Technology by Mansour Kolahkaj, Elham Abdolahpour

“…Objective: One of the primary aims of this research is to better understand the structure of higher education in Iranian art and the disciplines and sections of higher education for different purposes such as admission of foreign students to Iranian universities' art departments. …”
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Comparative Study of the Form of Kings’ Cap in the Safavid and Qajar Eras by A. Sheikhi, A. Mirsane

“…Studying the evolution of the crown in Iranian Art History and examining its form as a symbol of the greatness of necessity is a step toward identifying an area of fine art in Iran and beginning to study the other aspects of this courtier element. …”
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Study of Formation Backgrounds of Inter-hybrid Camel Motifs in the Qajar Period Rugs and Their Influence from Other Arts by Zahra Shoghi, Mehdi Keshavarz Afshar

“…The Inter-hybrid camel is one of the types of composite creatures in Iranian art. This composite creature has an important distinction with other composite creatures such as Sphinx, Griffin and others. …”
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Studying of Parthian Coins Existing in the Malek Museum of Tehran by A. Azizi Yusefkand, M. Azizi Yusefkand

“…Introducing the Malek Museum can be of great help to ancient Iranian Art scholars as it has a relatively rich treasure and gathering this volume of ancient Iranian coins into one collection will shorten the difficult way for researchers to search for it. …”
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Iconological Analysis of Buyid Dynasty Ceremonial Coins based on the Theory of Erwin Panofsky by Rezvan Ahmadi payam, Abolghasem Dadvar

“…They claimed to be descendants of the Sassanids and they made many efforts to revive the ancient methods and the deep connection of Iranian art in these centuries. Given the importance of the Al-Buyid government of Iranian origin in the first centuries of the advent of Islam, it is necessary to explain the semantic systems governing their pictorial coins with a multi-conceptual approach. …”
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The Effect of Westernization (Golfarang) on Kashan's Architecture Decoration and Carpets by tahereh salimi, H. Azizi

“…The Golfarang motif of the Safavid era has been brought to the Iranian art with the advent of westernization, and the Qajar era has been its peak. …”
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The Typology and Categorization of Illustrated Carpets in Shah Tahmasb’s Shahnameh by Ali Vandshoari, Roohollah Salimpour

“…According to the general categorization and features of each rank, the details and compounds have been considered and analyzed in the whole studies, and analyses are based upon the rules and principles of Iranian carpet which is adherent to the traditional designing principles of Iranian art. To have more understanding and observation about the mentioned carpets, the linear patterns of all the samples have been prepared and all the analyses are based upon them. …”
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A Comparative Study of the Paintings of Ibrahim in the Fire with Verses, Narratives and Interpretations of the Qur'an from the Ilkhanid to the Safavid Era by Mehdi Mohammadzadeh, Rahim Charkhi, Somayeh Zadamiri

“…In the meantime, the miracle of coldness and healing of fire for prophet Ibrahim (peace be upon him) is one of the cases that has been repeatedly mentioned in religious and historical texts and has been considered by painters and kings and rulers of their time in different periods of Iranian art throughout the Islamic period. The present study aims to determine the degree of conformity of the theme and content of the narrative of the miracle of coldness and healing of fire for prophet Ibrahim (peace be upon him) with images of his miracles. …”
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Investigation of the Visual Evolution of Persian Medals of Honor from Qajar Dynasty till Now by Nafise Najafi, Hassanali Pourmand

“…The medals are important in terms of their artistic style which has been derived from the contemporary Iranian art. The production of medals prospered since the Qajar dynasty that provided a proper condition to study the visual evolution of properties of Iranian medals from the Qajar dynasty until now. …”
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Common Pictorial Elements of Mystical Shiite Concepts in Persian Painting and Architecture (Case Study: Imam Hassan's First Sermon on Characteristics of an Infallible Imam) by Khashayar Ghazizadeh, marzie alipour, parviz egbali, iraj dadashi

“…Using symbols and ironies in the Shiite art has been widespread during different periods in Iranian art and culture. Also using geometries was mostly meant to help recall the manifest intellectual stages of Shiite school in artworks. …”
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Recognition of Origins of Plaster Decorations of Chohar-Soffehs in Dosiran Village (Fars Province) by Nadia Ashayeri, Behzad Vasigh

“…The main roll of mihrab and its decoration became a mainstream in aesthetic orientation in Iranian art and architecture that spread to numerous architectural types such as schools to houses. …”
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Analyzing the Foundations of Dialogical Principle in Narrative and Illustration of the Tale of Ebony Horse in One Thousand and One Night Manuscript by Sedigheh Edraki, Hossein Abeddoost, Ziba Kazempoor

“…His intentional deviation from precise perspective rules, reflective of his inclination towards the traditions of Iranian art, allows him to break free from deep realism and preserve two-dimensional design and coloring.These characteristics are evident in the storytelling and visual representation of the story of the Ebony Horse. …”
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A Comparative Study of Visual and Structural Features of the Geometric Patterns on Selected Tiles of the Imam Reza’s Shrine in the Seljuk and Timurid Periods by Zohreh Sepasi, Khashayar Ghazizadeh

“…Iranian culture and civilization, despite the ethnic and racial diversity of the inhabitants of this land, the political developments and the invasion of the invaders and settlers, have always been regarded as an appropriate context for the advancement of Iranian art. Iranians have been involved in decorative arts as well as painting since ancient times, one of which being exquisite tile art. …”
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