The role of portrait in Iranian cinema posters design by Keshavarzi, Firouzeh, Mohd Adnan, Hamedi

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The politics of Iranian cinema : film and society in the Islamic republic / by 458774 Zeydabadi-Nejad, Saeed

Criticism of the Relationship between Iranian Cinema and Mystical Classic Literature by Ahmad Razi, Ali Taslimi, Mohammad Asgharzadeh

Subjects: “…iranian cinema…”
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The Representation of Social Issues in Iranian Cinema after the Islamic Revolution by yaser Rastergar, Ehsan Aqababaee, Zahra Rasekhi

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Life Suspension: Representation of Marital Infidelity in the Films of the 1380s and 1390s of Iranian Cinema by Hossein Afrasiabi, Asal Razavi

“…According to the  findings, infidelity is represented in Iranian cinema as a suspension.  All the dialogues and scenes show a suspended and undecided life.  …”
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Imagination of Tehran: Study of "Mindscape of the City" through 1340s and 1350s Iranian Cinema by Azam Ravadrad, Baharak Mahmoodi

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Khatereh Sheibani (2011) The Poetics of Iranian Cinema: Aesthetics and Modernity After the Revolution by Paul Elliott

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Designing a Policy Model for Iranian Cinema to Promote its International Status by Reza Mir Mehrabi, Taher Roshandel Arbatani, Ali Akbar Farhangi, Ataallah Abtahi

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Representation of Class and Class Relationships in Iranian Cinema Case Study of “a Separation: Nader and Simin” by Mohammad Rezaei, Arash Hasan pour, Simin Daneshgar

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An Analysis of the Relationship between Cultural- Cinematic Policies of Iran and the Movies Introduced as the Representative of Iranian Cinema to the Academy of Oskar by Azam Ravadrad, Amirhossein Tamannaei

“…In other words, there is a general policy in Iran that supports the idea of entering the competition of Oskar each year in order to show that Iranian cinema is so mature that is able to compete with the cinema of other countries. …”
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Tennessee Williams, Iranian Cinema, and Bakhtinian Dialogism: A Comparative Study of A Streetcar Named Desire and Biganeh by Afsaneh Asghari astaneh, Behzad Pourgharib, Abdolbaghi Rezaei talar poshti

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Social explanation of gender reversal in Masoud Kimiaei's cinema by Fares Bagheri

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Analysis of Iranian Cult Movies:The Study of Cultists of Five Selected Iranian Cult from50s until 80s by Farnam Moradi Nejad, marzieh piravi vanak, Ahmad Alasti

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Entering Iranian Homes: Privacy Borders and Hospitality in Iranian Movies by Foroogh Mohammadi, Lisa-Jo K. van den Scott

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Iranian Cinemaâs Adaptation of Contemporary Narrative Literature by H Lazgee, M Moradabbasi

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Examining the Idea of Time based on the Opinions of Gilles Deleuze in the Iranian Cinema of the 90s (with Case Analysis of Movies: Fish and Cat, Enter the Dragon!... by raouf sarbakhsh, reza sarbakhsh

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Naficy Hamid, A Social History of Iranian Cinema, The Globalizing Era, 1984-2010, vol 4. Duke University Press, Durham and London, 2012, 664 p. by Agnès Devictor

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Comparative analysis of family values in Iranian and Russian cinema by M. I. Kosinova, T. Solgi

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Abbas Kiarostami Filmlerinde Gerçekçilik: Yakın Çekim (Nema-ye Nazdik – 1990) Filminin Nokta Metaforuyla Yeni Bir Okuması by Murat Şahin

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İran’da Devrim Sonrası Sinema: İbrahim Hatemikiya Filmlerinde Devrim Düşüncesi, Cephe ve “Hüviyet” İnşası by Hülya Özkan

Subjects: “…iranian cinema…”
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