Philosophical Approach to Defamiliarization in Contemporary Iranian Poetry by Mehrnaz Esmaili ‌Borojeni, Omidvar Malmoli, Seyed Ali Sohrabnejhad

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Reflection of Linguistic Elements of Popular Culture of Iran and Pakistan in the Poetry of Simin Behbahani and Parveen Shakir by Ali Ahmad Shirazi, Reza Chehreghani, Muhammad Iqbal Shahid

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From the Oblivion of Hafez to the Tsunami of Nose Surgery by Kh. Jalali Kohne‏ ‏Shahri, M. B. Alizadeh Aghdam

“…The scope of study includes the Iranian poetry and the frequency of the face parts used in them. …”
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Youth and Old Age Contrast in Nezamiâs Images with Respect to Color Element by n Safabakhsh, gh Rahimi

“…Color is considered as a key element in fields such as painting and architecture. In Iranian poetry color is also of high importance. Having wide range of artistic words and also high poetic talent the poet depicts wonderful and imaginative pictures and decorates them with colorful elements of nature. …”
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IRAN'S CONTEMPORARY POETRY INFLUENCES ON TAJIK POETRY by Mitra Sharifzadeh

“…What we have been able to find out is, as a typical representative of the third generation Tajik poets, Dara Nejat, has been the most affected poets by Iranian Poetry. The ability of his local dialectic words and terminology, has simulated from Nima Yushij, Sohrab Sepehri surrealism of nature and free versing from Ahmad Shamloo. …”
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Garden Alley in Iranian Culture, Poetry, Literature and Art by Asghar Molaei

“…Alley garden has a high position in Iranian poetry and literature as well as traditional Iranian architecture and urban planning. …”
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Symbolic Manifestations of Nature in the Poetry and Paintings of the Fourth and Seventh Centuries AH. (With Emphasis on the Poetry of Manouchehri Damghani and Ghazals of Shams) by Shohreh Chelipa, Mahnaz Shayestehfar, Habib Jadid Al Eslami

“…Recognition of the symbolic effects of nature in Iranian poetry and painting with emphasis on the poems of Manouchehri Damghani and Ghazals of Shams. 2. …”
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The Cultural Comprehensiveness of the Literary Works of Hafez in Human Societies and its Reflection on the Illustrated Manuscript of Hafez Preserved at the New Delhi Museum by Ali Heidari

“…In which that in addition to the cultural influence of Hafez's poems on a number of Western and Eastern countries, Iranian and Islamic culture has also penetrated and expanded and the theme of Iranian poetry and culture has been recognized as a symbol of peace and comfort. …”
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Useful and Necessary Book about Outstanding Personalities from Afghan History and Culture by Y. P. Laletin

“…The author makes extensive use of classical Afghan and Iranian poetry, which arouses additional interest among specialists, including students of the Afghan languages — Pashto and Dari. …”
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Symbol in Point View of Ambiguity by Dr. M. R. Yousefi, S. RasoulianArani

“…Ambiguity is one of the important processes and also is the key Iranian poetry; its means is today poetry. In such poetry ambiguity is a need to explore the new world from a different perspective, or explore this complex world.In general, in Persian poetry there are three types ofambiguity such as: uncertainty ambiguity, intentional and unintentional ambiguity.an effective literary texts, owes its origin to create multiple meanings and its levels of meaning. …”
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Symbol in View of Ambiguity by Mohamad reza Yousefi, Sedigheh Rassoulian

“…Ambiguity is one of the important processes and also is the key Iranian poetry its means is today poetry. In such poetry ambiguity is a need to explore the new world from a different perspective, or explore this complex world.In general, in Persian poetry there are three types ofambiguity such as: uncertainty ambiguity, intentional and unintentional ambiguity.an effective literary texts, owes its origin to create multiple meanings and its levels of meaning. …”
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Developmental structuralism in Iranian realism: The interplay of agency and structure in contemporary Persian poetry and literature by Mojtaba Attarzadeh

“…Conclusion The result of this research indicates that by adopting a realistic approach leading to the establishment of a "relationship" between writers and poets (agency) and the text of society and the audience of their poems (structure), Iranian poetry came out of the abstract state and instead of covering up and reporting general issues, it showed the realities of the society, the needs and demands of the people, and in return, the people recognized the words of the writers as their loud voice.…”
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A Comparative Criticism of the “Shadow” Archetype in the Poems of Forough Farrokhzad and Sylvia Plat by Zahra Khatami Kashani

“…These two poets sang the poems approximately within the same time period but in different geographies.Forough Farokhzad is one of the pioneers of Nimaeian Poetry (modern poetry) and one of the first famous persons of modernism in Iranian poetry. Living in a male-dominated society and experience of weak and unstable emotional relations have given a special courage to Forough so that she, in addition to break the old poetic frames,casts doubt on old laws and traditions of life. …”
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Micro and Structural Symbols in New Ghazal with Emphasis on Simin Behbahani\'s Structural Symbols by sepide Aghababaei Roodbari, Jalil Moshayedi, Hassan Haidary, Mehrdad Akbari gandomani

“…Simin Behbahani, Hossein Manzavi, and Mohammad Ali Bahmani, together forming the new Persian Ghazal (short lyric poem) triangle, made significant changes in contemporary Persian Ghazal. Iranian poetry and prose quickly incorporated symbolism into their poetry and prose as one of the essential schools of modern literature. …”
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The Politics of Love in Ahmad Shamlou’s Romances by Homa Rafiei moghadam kasani, Rahman Moshtaghmehr, Naser Alizadeh Khayat

“…Romantic poetry, distancing from political poetry, discusses politics of literature rather than political literature. However, modern Iranian poetry, deeply connected with politics and protest literature, establishes a different relation between dramatic poetry and political poetry. …”
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Formalism and meaning-oriented poetry from the point of view of the Saffarzade and her work by Gholamhosein Shsrifi Veldani, Behnam Rostami Juneghni

“…InnovativeSpecies of Contemporary Iranian Poetry, 2nd ed., Tehran: Saleth. Hoghooghi, M. (1972). …”
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Characteristics of Iranian Fairies Based on Fairy Tales by Maryam Nemat Tavousi

“…However, after Sassanid collapse, they appeared in classical Iranian poetry as beautiful and beloved creatures (Sarkarati, 2007, p. 7).  …”
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Three Different Approaches (Hostile, Mythical, and Admiring) to Nasir Khusraw in the History of Persian Literature by Hassan Heidarzadeh Sardrud

“…Even though these claims may be correct in a general sense, they deserve to be doubted and revised with a scrutinizing eye. The taste of Iranian poetry lovers focuses on eloquence and good locution, even when the composer is unknown or has subjects in poems that don't agree with his beliefs. …”
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A Comparative analysis of critique of the patriarchal social system in the poetry of Simin Behbahani and Fahmida Riyadh by Ali ahmad Shirazi, Reza Chehreghani, Muhammad Iqbal Shahid

“…But, Fahmida Riaz's influence from Simin Behbahani, due to her fluency in Persian language, complete familiarity with classical Persian poetry and interest in contemporary Iranian poetry, as seen in the introduction of her translations of Shams lyric poems and Forough Farrokhzad's poems in Urdu, is quite probable.…”
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Visual (Concrete) Poetry at a Analytical, Critical and Comparative Glance by Nosratollah Dinmohammadi karasfi

“…Visual or concrete poetry is one of the modern poetic trends in both European and Iranian poetries. This form of poetry which is includes written deviations and linguistic foregrounding is manifested in a combination of poetry, graphics and sometimes calligraphic lines. …”
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