‘Groaning wicked like a maddening dog’: Bestiality, Modernity and Irishness in J. M. Synge’s The Playboy of the Western World by Hélène Lecossois

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The Land of Saints and How to Get Out of It by Luppi, Fabio

Subjects: “…Diaspora. Emigration. Irish. Theatre…”
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Dramaturgical Precedence: Music, Space and the Story in Conor McPherson’s The Night Alive and Girl from the North Country by Maha Alatawi

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Brian Friel: the master playwright by Martine Pelletier

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Druid theatre's economics: the first decade by Shelley Troupe

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Reclaiming the Silenced History of LGBTIQA+ Activism and the HIV/AIDS Crisis through Irish Theatre. An Interview with Phillip McMahon by J. Javier Torres-Fernández

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Introduction by Siobhán O’Gorman, Elaine Sisson, Ian R. Walsh

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Performing Grief Inconsolable: Land, Lament and Love in Marina Carr’s Portia Coughlan by Vicky ANGELAKI

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The “Hibernicising” of George Farquhar’s Plays after Irish Independence by DAVID CLARE

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Shakespeare’s Other Eden by Salis, Loredana

Subjects: “…History. Irish theatre. Ouroboros. Richard II. Shakespeare our contemporary…”
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Metatheatre in Brian Friel’s The Loves of Cass McGuire: The Semiotics of Make-Believe by Mahasen Badra

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Le “Written Speech” yeatsien et ses expressions scéniques by Pierre Longuenesse

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Women Playwrights at the Crossroads: A Comparative Study of Ireland and Korea in the Mid-Twentieth Century by Moonyoung Hong

Subjects: “…irish theatre…”
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A Stage for the Outsiders of Neoliberal Capitalism: Dublin’s Gate Theatre, European Austerity and #WakingTheFeminists by Francesco Sani

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Envisaging a Post-Colonial Theatre: W. B. Yeats and the Cuchulain Cycle of Plays by Ioana MOHOR-IVAN

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Staging the Outcast in Brendan Behan’s Three Prison Dramas by Wei H. Kao

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Universal or provincial?: Early reception of Brian Friel's Philadelphia, Here I Come! by Peter James Harris

Subjects: “…Irish Theatre…”
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Theatre That Speaks to Its Moment: Melt (2017) by Shane Mac an Bhaird by María del Mar González Chacón

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Hilton Edwards, Brecht and the Brechtian by Joan FitzPatrick Dean

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Charabanc, cultural capital and the men of recognised credit by Brenda Winter

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