“…Based on the analysis of the first meeting scenes in two film adaptations of Madame Bovary — Claude Chabrol’s film with
Isabelle Huppert (1991) and Sophie Barthes’ film with Mia Wasikowska (2014) — this article sets out to highlight the recomposition of the heroine they propose, as well as the reconfiguration of plot and narrative stakes.…”
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